Last night I saw Nézet-Séguin conduct Philadelphia in one of the Stokowski celebration concerts. Just above his score he had a monitor (I called it a teleprompter in the subject but surely there is a better name) that allowed him to synchronize the orchestra with a simultaneous projection of Fantasia. I had an excellent seat that allowed a clear view of the monitor from the first tier at about 40 feet. The monitor image showed a smaller version of the projected Fantasia, as well as a variety of visual cues. There was what appeared to be a dial clock on the lower left, a digital clock on the upper right. Periodically a white disk would flash in the middle of the screen on what appeared to be the first beats of the measures. There were also vertical bars that traveled across the screen which were generally white, but also yellow and green in silences between movements (during a projection with the Nutcracker Suite) and purple or red during transitions within the movements.
I couldn't decide whether to concentrate on the music, the projection, or the conductor, so I did my best to absorb as much as possible from all three. Philadelphia played superbly.
Hup





