Who Knew? Some Great Grieg! A Must Have
Posted: Mon Jul 06, 2009 6:46 pm
When a tuba player thinks of Grieg, they generally moan because of having to sit around for three movements before getting to "In the Hall of the Mountain King" in Peer Gynt Suite #1 and playing ooms to the orchestras pahs. I need to share this recording with everyone not only for it's wonderful music, but for THE BEST tuba playing in the "cash register" I have heard in 25 years.
This is a DG recording from May of 1986 of the Gotherburg S.O. with Neeme Jarvi conducting (DG Stereo 419 432-2). I purchased a used copy on Amazon for $4.59. On it you will find three Grieg works with very meaty tuba parts. They are:
1. Norwegian Dances
2. Lyric Suite
3. Symphonic Dances
The music is wonderful, a mixture of Brahms and Dvorak, but thoroughly Grieg in its use of Norwegian folk tunes. There are some good blows in all of the pieces. Whoever the tuba player might be, he/she is astounding. Big meaty sound, yet incredibly centered and lacking the "woofiness" I hear on recordings these days, perfectly in time, and perfectly in tune. While very present, it is never OVER-BEARING. If a young person wants to know how a GOOD MUSICIAN who happens to play the tuba sounds, and wants to emulate the same, this is the guy. I rank it as one of the best sounds on a recording along side the tuba player for the Klemperor/Philharmonia recordings, Bobo's later work with the LAPO, and Chester Roberts performance of Prokofiev's 5th on the 1959 Cleveland/Szell entry.
Happy Listening.
This is a DG recording from May of 1986 of the Gotherburg S.O. with Neeme Jarvi conducting (DG Stereo 419 432-2). I purchased a used copy on Amazon for $4.59. On it you will find three Grieg works with very meaty tuba parts. They are:
1. Norwegian Dances
2. Lyric Suite
3. Symphonic Dances
The music is wonderful, a mixture of Brahms and Dvorak, but thoroughly Grieg in its use of Norwegian folk tunes. There are some good blows in all of the pieces. Whoever the tuba player might be, he/she is astounding. Big meaty sound, yet incredibly centered and lacking the "woofiness" I hear on recordings these days, perfectly in time, and perfectly in tune. While very present, it is never OVER-BEARING. If a young person wants to know how a GOOD MUSICIAN who happens to play the tuba sounds, and wants to emulate the same, this is the guy. I rank it as one of the best sounds on a recording along side the tuba player for the Klemperor/Philharmonia recordings, Bobo's later work with the LAPO, and Chester Roberts performance of Prokofiev's 5th on the 1959 Cleveland/Szell entry.
Happy Listening.