Festive Overture
- TubaingAgain
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Festive Overture
Looking for copy of Tuba part for Shostakovich Festive Overture Op 96 Can anyone help me out?? Need it in a HURRY
Thanx
Thanx
Last edited by TubaingAgain on Mon Jul 16, 2007 6:49 pm, edited 1 time in total.
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What key is the orchestra version in? I've recently played a concert band version in Ab and a brass band perversion in G (and boy, it was hell to play!; there were a ton of pedal notes in the BBb part, some of them quite fast-moving, and a lot of loud stuff in the low register; it took a horrendous amount of air).
Last edited by GC on Tue Jul 17, 2007 12:55 am, edited 1 time in total.
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Re: Festive Overture
I had to sightread the Concert Band part about two years ago in a performance. I was called in as the only tuba last minute. Fortunately, I sat near a very good bari sax player (yes, a few do exist) and didn't have any problems. It is a very busy part, just make sure to subdivide like mad and don't play any "solos". And, when it is loud, play LOUD (with a good sound, of course.)TubaingAgain wrote:Looking for copy of Tuba part for Shostakovich Festive Overture Op 96 Can anyone help me out?? Need it in a HURRY
Thanx
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quinterbourne
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Re: Festive Overture
Just be glad you didn't have to sight read the euphonium partMartyNeilan wrote:I had to sightread the Concert Band part about two years ago in a performance. I was called in as the only tuba last minute. Fortunately, I sat near a very good bari sax player (yes, a few do exist) and didn't have any problems. It is a very busy part, just make sure to subdivide like mad and don't play any "solos". And, when it is loud, play LOUD (with a good sound, of course.)TubaingAgain wrote:Looking for copy of Tuba part for Shostakovich Festive Overture Op 96 Can anyone help me out?? Need it in a HURRY
Thanx
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TubaRay
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Re: Festive Overture
I would amend that to state that band people are generally thought too stupid to play stuff with any sharps, generally.bloke wrote: bloke " 'Band' people are generally thought too stupid to play stuff with more than two sharps...Right...??"
Ray Grim
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Re: Festive Overture
I always thought it was 'cause we were too smart to fool with it...bloke wrote:'Band' people are generally thought too stupid to play stuff with more than two sharps...Right...??"
SD
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.
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a2ba4u
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Jumping on the old digression wagon here....
THE band version that we are all speaking of here is the Hunsberger transcription that is in A-flat (as has been noted). I seem to recall hearing that Hunsberger's transcription is simply a re-working/Americanizing of a transcription that Shostakovitch himself did of the work for a Russian military band back in the day. Not sure how accurate this story is, but it does provide a different reason for the key choice.
And since I KNOW that at least someone is interested in what I think (this IS TubeNet, of course).....
I, personally, do not like this bandistration. First, I think its in the wrong key--it should be in B-flat. As noted in an earlier post, this makes for some tricky range issues. I feel, though, that if you actually have a band that has the fingers for this chart at its customary tempo, then you probably have a band that can deal with the extra whole step. Secondly, I've heard this version realized by at least a dozen different bands (played in one or two myself) of all levels and, no matter what, it always comes off as sounding like the largest chamber music composition ever. For me, this transcription is too much "intricate lace weaving" and not enough "see what the Harley can do on the open road with no cops around." I'd love to hear a different band version sometime, just to compare.
Kyle
THE band version that we are all speaking of here is the Hunsberger transcription that is in A-flat (as has been noted). I seem to recall hearing that Hunsberger's transcription is simply a re-working/Americanizing of a transcription that Shostakovitch himself did of the work for a Russian military band back in the day. Not sure how accurate this story is, but it does provide a different reason for the key choice.
And since I KNOW that at least someone is interested in what I think (this IS TubeNet, of course).....
I, personally, do not like this bandistration. First, I think its in the wrong key--it should be in B-flat. As noted in an earlier post, this makes for some tricky range issues. I feel, though, that if you actually have a band that has the fingers for this chart at its customary tempo, then you probably have a band that can deal with the extra whole step. Secondly, I've heard this version realized by at least a dozen different bands (played in one or two myself) of all levels and, no matter what, it always comes off as sounding like the largest chamber music composition ever. For me, this transcription is too much "intricate lace weaving" and not enough "see what the Harley can do on the open road with no cops around." I'd love to hear a different band version sometime, just to compare.
Kyle
Last edited by a2ba4u on Thu Jul 19, 2007 11:44 pm, edited 1 time in total.