kingrob76 wrote:I've always wanted to do a Brass Quintet program of all transcriptions of music originally written for Orchestra and Symphonic Band / Wind Ensemble, and not just 18 marches either. However, your trumpets need to be horses to pull that off and you'd probably need to have at least a couple of pieces arranged for quintet, but I think that would be an interesting program.
First, I want to thank Scott, Bryan and Jobey for their kind words regarding my arrangements. However, it is not the arrangement that sounds great, it is the way you guys PLAY them that sounds great.
Kingrob76, I could not agree with you more!!! I'll bet most quintets are made up of frustrated symphony/band players. I started arranging specifically to add orchestral literature to my own quintet programs. In addition to the items already mentioned by Scott & Jobey, I've arranged things like Mahler: Symphony #1, Bruckner: Symphony #4, Dvorak: Symphony #8, Schubert: Symphony #8 (Unfinished), Beethoven: Egmont Overture, Borodin: Polovtsian Dances, Grieg: Piano Concerto, Richard Strauss: Waltzes from Der Rosenkavalier, Tchaikovsky: Capriccio Italien, March Slave, Seranade for String and a host of others. (all available at BVD Press)
There is a lot of amazing music out there that WE, as brass players, can enjoy and bring to our audience. Just look at Empire's "Class Brass" CDs or Atlantic's "Picture This...." The brass quintet is uniquely capable of performng major symphonic works in a chamber music setting. So, I applaud you - go for it! An all symphonic program - no marches, no rags, no dixieland.