Mini Helicon

The bulk of the musical talk
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jacobg
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Mini Helicon

Post by jacobg »

Neat picture, from the book "One Man's Eye": Photographs from the Alan Siegel Collection.

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Dean E
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Post by Dean E »

Interesting composition, but it troubles me to see probable exploitation because of the performer's physical condition. I know, circuses used to do it all the time.

Q1. What is that cylinder-like object in the performer's right hand, which looks like it is attached to the instrument?

Q2. Would this be an unwrapped euphonium, going by the short tubing length?
Dean E
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
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windshieldbug
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Post by windshieldbug »

I think a better question is:

Why isn't the player using a mouthpiece?
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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KarlMarx
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Post by KarlMarx »

This helicon has a size and a wrap allowing for any normal size player not overgrown horizontally. It is a 3 valve F helicon as seen from German and especially from Czech makers.

The player uses a French horn mouthpiece, against which he presses his right thumb.

In the context of a clown band it is not unlikely, that the player exploits the close harmonics above the 8th partial of the helicon. The trombone slide and the funny clothing of the other players make entities like the European White Clown and a musical circus act appear being a very likely context.
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windshieldbug
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Post by windshieldbug »

danke.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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