I've arranged a few pieces for low brass trio, if anyone is interested in trying some of them out I'd love to have some feedback. The guys I play with are always very complimentary, but they're my friends so I don't know if they're just being nice or not! These trios are scored for two euphs (or trombones) and a tuba (or bass trombone). All parts here are in bass clef, but I can make treble clef availble if anyone is interested.
I didn't put any tempo markings, but the gavotte should be quick, like half note = 80, and the sarabande fairly slow, maybe quarter = 60 to 70. As for dynamics, well, just get louder and softer here and there.
<edit> see the post below for the links. Thanks WSB!
Free Low Brass Trios: PDF and MP3 too!
- Mike Finn
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Free Low Brass Trios: PDF and MP3 too!
Last edited by Mike Finn on Fri Jan 25, 2008 9:23 pm, edited 2 times in total.
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Gavotte
score
1st trombone/euphonium
2nd trombone/euphonium
bass trombone/tuba
Sarabande
score
1st trombone/euphonium
2nd trombone/euphonium
bass trombone/tuba
score
1st trombone/euphonium
2nd trombone/euphonium
bass trombone/tuba
Sarabande
score
1st trombone/euphonium
2nd trombone/euphonium
bass trombone/tuba
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- Mike Finn
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Here are audio files of the pieces, for your listening enjoyment. (You may have to right-click and "save file as" if they don't open up in your media player.)
Sarabande MP3
Gavotte MP3
And a somewhat more challenging Allemande from Partita 2:
Allemande MP3
Here's the score: Allemande
Sarabande MP3
Gavotte MP3
And a somewhat more challenging Allemande from Partita 2:
Allemande MP3
Here's the score: Allemande
Your soul speaks through your music.
Say what you mean.
Say it with a Mike Finn Mouthpiece.
www.MikeFinnMouthpieces.com
Say what you mean.
Say it with a Mike Finn Mouthpiece.
www.MikeFinnMouthpieces.com
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Geotuba
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These look nice. I'll see if we can try them out this weekend. Thanks. On Sarabande I might look at sharing the high tricky stuff between parts I and II rather than having part I do it all. Depends on the players' abilities I suppose but I think of it a bit like how you want to switch things between trumpets I and II in quintet arranging