Mahler - Best Tuba Part
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Mark
Mahler - Best Tuba Part
Part one of theis poll was for Vaughan Williams.
This is part two and for Mahler. I did not include Symphony No. 10 and don't want to get into that argument.
This is part two and for Mahler. I did not include Symphony No. 10 and don't want to get into that argument.
- MartyNeilan
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You gotta love the playing the seventh, especially while the trumpets scream out their "John Williams" part 
I think the first symphony is interesting, but highly overrated.
(Expecting to get flamed by kolledge students that took a semester of music depreciation. Their favorite to play is probably the fourth
)
I think the first symphony is interesting, but highly overrated.
(Expecting to get flamed by kolledge students that took a semester of music depreciation. Their favorite to play is probably the fourth
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MikeMason
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- Wyvern
- Wessex Tubas

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For me it has got to be the 6th - not just my favourite Mahler, but favourite symphony period. I have been fortunate enough to have performed 3 times and loved every time. It never fails to move me, while the last movement must be the best of all for tuba with the opening solo, brass chorale, imitation alp-horn, trills and numerous other magical moments. I remember at a rehearsal one of the trumpets turning around to me saying "its a flipping tuba concerto!"
I also adore the 2nd symphony with probibly the best brass chorale of all, while one cannot fail to be uplifted by that finale. Playing the 2nd in Salisbury Cathedral was my first really big orchestral concert and I can still remember the god like feeling I had - I was truly hooked!
The 5th is also a great play - I think the most technically demanding.
The 3rd movement solo in the 1st is nice, but not so good for the tuba otherwise. That symphony seems more a horn players dream.
I have enjoyed the 3rd which has its great moments.
Am still awaiting to play 7 to 9.
I also adore the 2nd symphony with probibly the best brass chorale of all, while one cannot fail to be uplifted by that finale. Playing the 2nd in Salisbury Cathedral was my first really big orchestral concert and I can still remember the god like feeling I had - I was truly hooked!
The 5th is also a great play - I think the most technically demanding.
The 3rd movement solo in the 1st is nice, but not so good for the tuba otherwise. That symphony seems more a horn players dream.
I have enjoyed the 3rd which has its great moments.
Am still awaiting to play 7 to 9.
- AndyCat
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My favourite Symphony, but also my favourite recording is the CBSO / Rattle one from some time ago.Ian1 wrote:Mahler 2 twice with the CBSO in Symphony Hall are amongst my favourite recent performances. Amazing, powerful, emotional music at It's very best. Ist Symphony is great, but that long D seem's to go on forever in an audition!
Andy Cattanach, UK
Fodens Band, Intrada Brass Ensemble.
Yamaha Neo BBb x 2 (2011 and 2016), B+H 3v Imperial BBb.
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Fodens Band, Intrada Brass Ensemble.
Yamaha Neo BBb x 2 (2011 and 2016), B+H 3v Imperial BBb.
Yamaha YBL613H Bass Trombone.
Mercer and Barker MB5 Cattanach, Yeo Signature Mouthpieces.
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Ian1
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I agree, fantastic recording. The best.
Oramo was good when we played Mahler 2, but when Rattle came over and conducted Enigma Variations a couple of years ago the whole Orchestra perked up. Me included! I recorded with the new guy Andris a few months ago. I think he will insert some flair into the orchestra for sure.
A bad conductor can ruin any fantastic Mahler work...
Oramo was good when we played Mahler 2, but when Rattle came over and conducted Enigma Variations a couple of years ago the whole Orchestra perked up. Me included! I recorded with the new guy Andris a few months ago. I think he will insert some flair into the orchestra for sure.
A bad conductor can ruin any fantastic Mahler work...
- NDSPTuba
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jeopardymaster
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Here's to Mahler
5 is awfully fun to play, and 2 is certainly uplifting beyond words. But the last movement of 3 is something very special for me, not just unearthly gorgeous but it was the first bit (?) of his work I ever heard. And you never forget your first Mahler.
Too bad Sammy Fain stole a motiv and diminished the effect for a lot of listeners. I wonder if Alma got royalties.
Too bad Sammy Fain stole a motiv and diminished the effect for a lot of listeners. I wonder if Alma got royalties.
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joshwirt
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