How to get a gig

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Todd S. Malicoate
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Post by Todd S. Malicoate »

tubashaman wrote:But in college, you STUDY your instrument to get the skills for being good to win an audition
It's on the tip of my tongue to say it...

but I can't help remembering that I used to think the same thing.

Nevertheless, James, you are in Abilene, Texas (which, by my reckoning, is not the place to be if you want to study to win a tuba audition) lecturing many folks who have stood where you stand about why a person should study the tuba in college.

You're probably the best player at your school...hell, you've probably always been the best tuba player in your area. You have no perspective, and (with the exception of some posters here) no one is going to tell you how truly ridiculous the odds against you are.

Perhaps someone else can present the argument in front of James in terms so plain and firm as to command their assent?
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Post by Rick Denney »

lgb&dtuba wrote: Admittedly my opinions on this (and they are certainly only opinions) are colored by the profession I'm in; computer programming.
I have managed a number large software development projects, and developed several commercially successful software products in my narrow field. What I want in a programmer is not someone who knows a particular language--languages and even programming paradigms come and go. What I want is someone who can understand the user's needs, write a good set of requirements, and then write a program that fulfills those requirements, on time and within budget. That takes good listening skills, a strong expressiveness, and logical clarity.

I have met very few college-trained programmers who can do that straight out of school, and most of those could do it before they went to school. I've met more experienced programmers who can.

It's about listening and logic, not about languages. The hot languages when I was in college were FORTRAN and COBOL, in addition to assembly language (which I have managed to avoid, for the most part). Later, they were Pascal, and then C, followed by C++. Now, it's Java, and even Visual Basic. When I was in school, people paid a lot to be trained in IBM's Job Control Language. Nobody even knows that that is any more.

FORTRAN and Pascal were procedural, and that paradigm shifted to event-driven approaches, which then shifted to event-driven, object-oriented approaches. All that has happened since college for me, and I have 15 more years of work before reaching normal retirement age. I abandoned my college-based computer training within a handful of years of graduation.

If I was hiring someone to sit in a corporate bullpen and churn out lines of code, I would care about their languages. But if I need someone who can interpret needs into requirements and then write code cheaply and consistently with it, then I have to look way past languages. The most capable programmers (and systems engineers) I've ever worked with were math majors, and some have been EE's. Yes, they knew languages, but they could also add a language to their repertoire in a short time, just because they knew what a language should be able to do.

To answer Bloke's issue about college-trained engineers in charge of his genius friend, I would say that to be effective as an engineer, it takes historical understanding, strong analytical skills, specific training in relevant industry practices, design creativity in response to requirements, an intuitive understanding of the three-dimensional world, and a strong capability to work with and express oneself to people.

Maybe a quarter of that can be learned in college, but that quarter is hard to learn anywhere else. Much of that quarter is in the last skill set in my list above. Too many engineers can't explain their designs or analyses to other engineers, let alone non-engineers. But I have not noticed that non-graduates are any better, and many are worse, depending on their experience to justify what they cannot explain. Inabilities in expression are a reflection of college training having migrated to a job-training approach, however. Nobody with a really broad education, including that guy with the Latin degree, should have trouble expressing themselves, either verbally or in writing.

Rick "who has known several trained musicians who made outstanding programmers" Denney
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Post by jtuba »

Todd S. Malicoate wrote:
tubashaman wrote:But in college, you STUDY your instrument to get the skills for being good to win an audition
You have no perspective, and (with the exception of some posters here) no one is going to tell you how truly ridiculous the odds against you are.
No odds aren't against him, the military is always hiring. Has anybody brought the Reserves or National Guard yet? Better pay and benefits than most gigs.
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Post by MartyNeilan »

Eupharitone wrote:you don't have to have an Education degree to know how to teach
True, but you won't get in the front door of any public school or most private ones without a teaching certificate in your state. NCLB has seen to that. There are numerous alternate programs to get a state certificate now (most of which require some sort of degree) but getting a standard Bachelor's in ed, or a Masters of Arts in Teaching (if you already have an applied undergrad in that field) are still the best ways to get that teaching certificate.
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Post by NDSPTuba »

Todd S. Malicoate wrote:
tubashaman wrote:But in college, you STUDY your instrument to get the skills for being good to win an audition
It's on the tip of my tongue to say it...

but I can't help remembering that I used to think the same thing.

Nevertheless, James, you are in Abilene, Texas (which, by my reckoning, is not the place to be if you want to study to win a tuba audition) lecturing many folks who have stood where you stand about why a person should study the tuba in college.

You're probably the best player at your school...hell, you've probably always been the best tuba player in your area. You have no perspective, and (with the exception of some posters here) no one is going to tell you how truly ridiculous the odds against you are.

Perhaps someone else can present the argument in front of James in terms so plain and firm as to command their assent?

Very true, being a big fish in a little pond gives you no real world perspective. Give Ron Little at UNT a call and see if you can show up one day and sit in with the UNT tuba/euph ensemble ( I'm assuming they have one ) , I'd imagine with the pool of talent they have there, you will most likely find yourself among better players than yourself.
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Post by Biggs »

lgb&dtuba wrote:
Biggs wrote:
the elephant wrote:Well, not everyone who pursues a music performance plans on trying to use that education to seek employment as a player.
I'm not trying to dispute your point that some institutions and some professors have no business producing "performers," but I consider myself a 'performance' major who will not seek employment as a player. I'm pursuing a tuba degree for my own satisfaction, not because I think I have professional potential.

I agree that there are delusional performance majors with no chance of becoming professional players; I just don't think you can discount the idea of a competent, casual performance major.
I've heard this type of statement many times (I work at a university now), so don't take this personally, but I have to wonder just why someone would waste 4 years or more in college to get a degree that they don't plan on using to earn their way in this world.

Unless you are planning on living on Mummy and Daddy's money for the rest of your life you're going to have to have a marketable skill. If you don't learn one in college, then you'll have to spend more time learning one. Having wasted time in college you'll then be automatically behind your age group and behind in earnings.

Education is a fine thing, but unless you're independently wealthy you'd better be learning something that will help you earn a living.
I'm going to college for my own benefit, so I think it is only fit that I decide what I want to gain from the experience. Since I like making music, I'd like to become the best musician I can be - not so other people can hear me and enjoy whatever noises I might produce, but because I attain a high level of personal satisfaction. Getting a tuba degree is all about ME. :wink:

Since I attend school on the highest level of academic scholarship, I'm in a position to take my own sweet time and make sure that by the time I graduate, I'll have gotten the most out of the time and energy spent on campus.

For the record, I am pursuing a BA in journalism in addition to the ol' BM in tuba performance. I don't expect either to make me millions of dollars, but I expect both to challenge and satisfy me.
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Post by lgb&dtuba »

Biggs wrote: For the record, I am pursuing a BA in journalism in addition to the ol' BM in tuba performance. I don't expect either to make me millions of dollars, but I expect both to challenge and satisfy me.
Good for you. You have the right idea. You have options and are prepared for whichever direction you choose to go. You're not locked into just one path. No one ever really is, BTW. Just some paths are easier to walk than others and may have more pleasant end points and experiences along the way.

You may even be able to combine both your majors into one career path if you want to. Options are good. Lack of options can be pretty bad.
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Post by sungfw »

Care to come up with a real world example of this better job this Latin major might land over someone with only a high school diploma?
Does teaching Latin at Trinity School or teaching ecclesiastical Latin to grad students in Church History and Theology at Toronto School of Theology qualify?
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Post by MaryAnn »

bloke wrote: He is always getting bugged about doing "better" (within top three plants in the U.S. for efficiency and money spent to generate what they generate) and "safer" (virtually an accident-free workplace)...and other (what he refers to as) "stupid crap".

He is getting SO frustrated with his kollij-ejacatud bosses that he is considering walking away from his $2XX,XXX + benefits/retirement job.
Since I work for a smaller something that also supplies what people use when they plug their toaster into the wall, I know from personal experience that all the higher-ups care about now is pushing people to make more money for the company. Because....the board of directors that is directing the CEO who is directing the whippersnappers who are directing your friend, is representing the stockholder owners of said company, and stock price is EVERYTHING. In the short run of course; our culture has changed to where people make billions in days with a web company, and the old-fashioned real commodities are trying to follow suit. Not to mention that the CEO game is to raise the stock price so that they can take their $$ and run at the most opportune time for them. That's the way the game is set up.

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Post by lgb&dtuba »

sungfw wrote:
Care to come up with a real world example of this better job this Latin major might land over someone with only a high school diploma?
Does teaching Latin at Trinity School or teaching ecclesiastical Latin to grad students in Church History and Theology at Toronto School of Theology qualify?
No, not until he gets his masters or PH.D. :D

Probably a better chance of him landing a job like that than a paid seat in an orchestra, though. :twisted:
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Post by sungfw »

lgb&dtuba wrote:
sungfw wrote:
Care to come up with a real world example of this better job this Latin major might land over someone with only a high school diploma?
Does teaching Latin at Trinity School or teaching ecclesiastical Latin to grad students in Church History and Theology at Toronto School of Theology qualify?
No, not until he gets his masters or PH.D. :D
Actually, I taught ecclesiastical Latin for five years at TST, and I only minored in Latin as an undergrad.

Thing is, the Classics dept folks were too high-'n'-mighty to bother with ecclesiastical Latin, so little old me, with a minor in classical Latin and a one semester tutorial in ecclesiastical Latin, go to teach ecclesiastical Latin to Masters and Ph.D candidates who hadn't learned it as undergrads.
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Todd S. Malicoate
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Post by Todd S. Malicoate »

tubashaman wrote:So with a dream to get a masters and DMA in performance, i think tuba ensemble will pay its share for a while :)
[Sung to the tune of "Folsom County Prison]

I hear that student a-comin',
He's rollin' 'round the bend,
And he ain't seen a payin' gig,
Since, I don't know when,
He's stuck in tuba ensemble,
And the time keeps draggin' (gee...),
But that [self-feeding university degree gravy] train keeps a-rollin,
Another useless degree (or three)...
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Post by Wyvern »

I have not read all the previous posts as this thread is just now too long, so the suggestion below is just from my experience.

What you want to do is take any opportunities to get out and join bands or orchestras and really work at you playing so you excel and get noticed. After you are established in a group, drop hints to the conductor that you are looking for solo playing and if you are doing well, they will most likely take up your offer (in most bands).

From such performances you will start to build up a good reputation as a tubist as you get heard. No doubt other opportunities will then come your way. Gigs in my experience are mainly gained through personal recommendation. One thing often leads to another.

After several years of such self promotion, I have more gig opportunities than I can possibly accept. It is rare for me to have a weekend without a gig!

You need to accept that the tuba is principally an ensemble instrument, so solo gigs will likely always be rare.
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Post by Jesse Brook »

I currently play for free in a church. Being in the middle of nowhere is a musical drag, but I keep my chops up because you never know when you might get a paying gig from someone who heard you at the non-paying gig. In this particular part of the world, being a teacher isn't a bad idea either, because that's the only way you'll have anyone to play with! My advice, like many of the other posters, is buckle down on the books, and get to know people. The more remote you are, the more musically-involved people it is best to know.

Playing at a church exposes me to hypocrisy, too, but there's no use me getting bitter, since a short self-examination yields such embarrassing results.
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Post by TubaRay »

Congratulations on the gig. I hope it proves to be enjoyable, and that it will lead to others.
tubashaman wrote: Our theory professor years back was commissioned by the Vatical to compose a piece for the Jubilee.
Just what is "the Vatical?"
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Post by sungfw »

TubaRay wrote:
tubashaman wrote: Our theory professor years back was commissioned by the Vatical to compose a piece for the Jubilee.
Just what is "the Vatical?"
The adjectival designation of the Vatican

Vatican, n., fr. Lat, mons, hill, mount + Vaticanus < vates + anus, adjl. suffix for common nouns (cf. urbanus, Romanus, Tyrranus — hill of prophecy; the official residence of the Pope

vatical, adj, fr. Lat, vates, seer, soothsayer: of or relating to foretelling of events by supernatural means

:P
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Post by sc_curtis »

tubashaman wrote:The percussionist behind me said my tuning was great and the focus and phrasing were real good as well!
This statement would worry me... :roll:
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