That's the one you want....
Typically Robert King arrangements were not done with tuba in mind.....obstensibly a 6th part, most tuba players play the baritone part when playing in a quintet setting.
The Nagel version is pretty awesome....the Canadian Brass version isn't bad either, but in the key of d minor....a step up for some reason...kinda weird....But the CB version includes Contrapunctus I, VII, and IX....
Happy Hunting....
Allen Carter
Temple University
Bach: Contrapunctus IX for BQ
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Not sure if there is a 9 by Nagel.
On my site, you will find a Frackenpohl, Foote and Aardworks Press piece. I am offering free shipping for a few more days.
I believe the Robert King version was done for 4tet with the Tuba doubling the Trombone and octave below.
On my site, you will find a Frackenpohl, Foote and Aardworks Press piece. I am offering free shipping for a few more days.
I believe the Robert King version was done for 4tet with the Tuba doubling the Trombone and octave below.
Bryan Doughty
http://www.cimarronmusic.com/
http://www.cimarronmusic.com/
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- Alex C
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I believe the old NYBQ recordings used the Rober King arrangement. This was originally written for Sextette with the tuba doubling 60% of the euphonium part an octave lower.
This is what they did on most of their Baroque and Renaissance recordings.
Harvey played the euphonium part. He still sounds terrific!
This is what they did on most of their Baroque and Renaissance recordings.
Harvey played the euphonium part. He still sounds terrific!
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When I played that arrangement under Mr. Nagle's instruction he suggested using a pedal C on the last note. Since then I have played both the Cm and Dm arrangements with various quintets, and most of the guys have preferred the Cm version. I believe I have a set of parts somewhere, and if you email me I will look for them.
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