The bulk of the musical talk
THE TUBA
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by THE TUBA Tue Feb 10, 2009 4:41 pm
Todd S. Malicoate wrote: Not a big deal, Brooke...I was trying to make a (very) little joke.
pierso20 wrote: I still think less than one note. Just the note, attack, and desired resonance (of course, pending a decent/good performance) will lead me to knowing this.
Now I'm curious, though. How is hearing one note "less than one note"???
...because the first note of the Hindemith is only a
half note. Nailed it!
[/post]
TubaRay
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by TubaRay Tue Feb 10, 2009 4:47 pm
THE TUBA wrote: ...because the first note of the Hindemith is only a
half note. Nailed it!
LOL! Of course!
Ray Grim
pierso20
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by pierso20 Tue Feb 10, 2009 8:39 pm
TubaRay wrote: THE TUBA wrote: ...because the first note of the Hindemith is only a
half note. Nailed it!
LOL! Of course!
HAHA! And you have helped me with my logic!
1895King
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by 1895King Tue Feb 10, 2009 10:47 pm
Two notes: Variations on the Theme of Judas Maccabeus; Solo Pomposo, Beelzebub.
tubashaman2
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by tubashaman2 Wed Feb 11, 2009 11:44 am
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Last edited by
tubashaman2 on Wed Feb 25, 2009 1:08 am, edited 1 time in total.
Miraphone 1291CC
dfear
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by dfear Thu Feb 12, 2009 1:49 pm
March from Second Suite in F-Gustav Holst. Two notes.
Dan Fear
sloan
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by sloan Thu Feb 12, 2009 2:44 pm
dfear wrote: March from Second Suite in F-Gustav Holst. Two notes.
2 beats...5 notes!
Kenneth Sloan
drow2buh
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by drow2buh Thu Feb 12, 2009 3:46 pm
tubaben wrote: Encounters II in one note.
Dang it, Ben, that is exactly what I was thinking.
Also, when the solo part enters in Gregson - within 2-4 notes you should have it recognized.
I agree fully with VW and Hindemith as well.
Assistant Professor of Low Brass
