Mouthpiece Shank/Backbore (Elliott)

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Dean E
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Post by Dean E »

Which York Eb horn to you play? They come in all shapes and sizes.
Dean E
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
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Lew
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Post by Lew »

I have found that the larger backbore makes response better, but that too large can affect intonation. I would suggest going to a 5 backbore for the Doug Elliot and see if that helps intonation.
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Dean E
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Post by Dean E »

John Dorn wrote:As far as what model York, it is really kind of a mix. It is an old York monster 3v that has been "converted" and is now a 4piston 1 rotar 5v. The pistons are king and if I remember correctly the rotar is miraphone (Matt W. did this for me a few years back and I am trying to remember the parts off the top of my head). The leadpipe is custom but is not real big as Matt felt this would be a good balance of high and low register.John
On my 3-top-valve York monster Eb with a small receiver I use either the Denis Wick 1 or 2, the largest small receiver MPs I have found. I play in community bands where I'm sometimes the only tuba. The DW 1 and 2 let me project power in the notes below Eb (one line below the staff) and do some false tones if I get the urge. I also have Denis Wick 3, 4, and 5, but don't need them since I can easily go up to Bb or C above the staff with the 1 and 2.

The DWs are available used and new at the British and US auction site for $30-50 USD.
Dean E
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
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