I've played two prototypes of this horn, one last spring and one last fall. The first one never saw the light of day but the latest incarnation is definitely in the large 4/4 to 5/4 range. It played well but still needed improvements. Jupiter was experipenting with some square slides, but I guess they've decided against that.
[quote]Postby Weaponofchoice » Sat Jan 16, 2010 2:05 am
I've played two prototypes of this horn, one last spring and one last fall. The first one never saw the light of day but the latest incarnation is definitely in the large 4/4 to 5/4 range. It played well but still needed improvements. Jupiter was experipenting with some square slides, but I guess they've decided against that.[quote]
At the NAMM show, Sam Pilafian demonstrated a rounded tuning slide and square one in front of myself and Steve Ferguson asking for opinions of the overall change in tone quality. They're not done with the tweaking and possibly using some square slides.
I understand and greatly appreciate graduated bore as applied through a rotary valveset (around .08" from top to bottom on my Neptune). But how does one obtain a significant increase on piston valves between 1 and 4 without it looking and feeling weird? Isn't this more a matter of stepping up the bore from 4th (piston) to 5th (rotor)? What am I missing here?
Gnagey CC, VMI Neptune 4098 CC, Mirafone 184-5U CC and 56 Bb, Besson 983 EEb and euphonium, King marching baritone, Alexander 163 BBb, Conn 71H/112H bass trombone, Olds Recording tenor trombone.