Hello,
I am looking to have a Custom Sousaphone Bell Cover made.
Does anyone have suggestions or positive experiences with companies that does this kind of work?
thanks,
sousaphone bell cover
-
punk_tuba
- bugler

- Posts: 69
- Joined: Thu May 05, 2005 6:05 pm
- Location: warwick rhode island
- Dan Schultz
- TubaTinker

- Posts: 10427
- Joined: Thu Mar 18, 2004 10:46 pm
- Location: Newburgh, Indiana
- Contact:
Re: sousaphone bell cover
You haven't looked very hard.
http://cgi.ebay.com/Sousaphone-Bell-Cov ... 5ad42f241d
http://cgi.ebay.com/Sousaphone-Bell-Cov ... 5ad42f241d
Dan Schultz
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
-
punk_tuba
- bugler

- Posts: 69
- Joined: Thu May 05, 2005 6:05 pm
- Location: warwick rhode island
Re: sousaphone bell cover
CUSTOM being the key word......positive experience the real reason for the post.
has anyone actually done this? not looked it up on google.
has anyone actually done this? not looked it up on google.
- Todd S. Malicoate
- 6 valves

- Posts: 2378
- Joined: Sat Mar 20, 2004 11:12 pm
- Location: Tulsa, OK
Re: sousaphone bell cover
Here's a link to the web page of the company Dan was nice enough to find for you. There's tons of testimonials and sample pictures from bands all over using their products. I'm sure they'll be able to do whatever CUSTOM design you want, and the price looks reasonable, too. Check them out.
- bearphonium
- 5 valves

- Posts: 1077
- Joined: Wed Jan 17, 2007 9:21 pm
- Location: Making mischief in the back row at 44, 1' 49"N, 123, 8'10"W
Re: sousaphone bell cover
My partner made mine, after checking out you-tube. Way less money than we could find listed.
PM me if you're really interested in making one.
PM me if you're really interested in making one.
Mirafone 186 BBb
VMI 201 3/4 BBb
King Sousaphone
Conn 19I 4-valve non-comp Euph
What Would Xena Do?
VMI 201 3/4 BBb
King Sousaphone
Conn 19I 4-valve non-comp Euph
What Would Xena Do?
- Tuba Guy
- 4 valves

- Posts: 677
- Joined: Mon Dec 22, 2008 1:11 pm
- Location: here...or there...depends on where I am....
Re: sousaphone bell cover
There was a topic along these lines a couple months (weeks?) ago
viewtopic.php?f=2&t=39240" target="_blank
viewtopic.php?f=2&t=39240" target="_blank
"We can avoid humanity's mistakes"
"Like the tuba!"
"Like the tuba!"
- MileMarkerZero
- 3 valves

- Posts: 431
- Joined: Fri Mar 19, 2004 9:54 am
- Location: Knoxville, Tennessee
Re: sousaphone bell cover
Seriously?
Go to the fabric store and buy a square yard of the fabric you want and a long length of 3/16" elastic (see below to figure out how long). Cut a circle of fabric that has a 4" greater radius than your bell (bell diameter + 8"). Lay the elastic in ts relaxed state on a table and make a mark 4" from one end. Now stretch it and measure from the end to the mark (you might need an extra set of hands to do it). Now you know your expansion rate for the elastic. For the sake of argument, let's say it's 2:1. Let's also say for the sake of argument that your bell is 26". Your fabric circle will be 34" in diameter. You need to sew the elastic in its stretched state all around the circumference of the fabric circle. If the expansion ratio is 2:1, you need a length of elastic that is 1/2 the circumference of the fabric circle.
C=2Πr ------> C= 2 x 3.14154 x 17 ------> C= ~107"
107 ÷ 2 = 53.5"
Adjust the divisor according to the expansion rate of the elastic (if it's 1.5:1, divide 107 by 1.5, etc.)
You need an elastic strip that is at least 53.5" (roughly, and if the expansion rate is 2:1).
Start sewing, stretching the elastic along the outside edge of the fabric as you go. It would be a good idea to put some sort of hem or other reinforcement along the edge of the fabric. This can all be hand-stitched, you don't need a machine. You might even be able to get away with a lot of safety pins and fabric glue (remove the pins after the glue has dried). When you get back to where you started, cut off the excess elastic (you did buy it a foot or so too long, right?) and stitch down the end. You now have a bell cover. 'Taint rocket science.
Go to the fabric store and buy a square yard of the fabric you want and a long length of 3/16" elastic (see below to figure out how long). Cut a circle of fabric that has a 4" greater radius than your bell (bell diameter + 8"). Lay the elastic in ts relaxed state on a table and make a mark 4" from one end. Now stretch it and measure from the end to the mark (you might need an extra set of hands to do it). Now you know your expansion rate for the elastic. For the sake of argument, let's say it's 2:1. Let's also say for the sake of argument that your bell is 26". Your fabric circle will be 34" in diameter. You need to sew the elastic in its stretched state all around the circumference of the fabric circle. If the expansion ratio is 2:1, you need a length of elastic that is 1/2 the circumference of the fabric circle.
C=2Πr ------> C= 2 x 3.14154 x 17 ------> C= ~107"
107 ÷ 2 = 53.5"
Adjust the divisor according to the expansion rate of the elastic (if it's 1.5:1, divide 107 by 1.5, etc.)
You need an elastic strip that is at least 53.5" (roughly, and if the expansion rate is 2:1).
Start sewing, stretching the elastic along the outside edge of the fabric as you go. It would be a good idea to put some sort of hem or other reinforcement along the edge of the fabric. This can all be hand-stitched, you don't need a machine. You might even be able to get away with a lot of safety pins and fabric glue (remove the pins after the glue has dried). When you get back to where you started, cut off the excess elastic (you did buy it a foot or so too long, right?) and stitch down the end. You now have a bell cover. 'Taint rocket science.
SD
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.