Of course not the DC Bush administration, but the SC Bush administration of a church-related brass quintet.
Klaus
Samples of my cooperation with the Bush administration
- imperialbari
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Michael Bush
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Re: Samples of my cooperation with the Bush administration
Cool. I'm thinking I'll post a recording of this with brass quintet, organ, and choir after December 19. I've been grinding away at those low runs every day. Just about got it licked. 
- The Big Ben
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Re: Samples of my cooperation with the Bush administration
Good for you. I have a heck of a time getting down low. Can't seem to get the lip to vibrate that slow...talleyrand wrote:Cool. I'm thinking I'll post a recording of this with brass quintet, organ, and choir after December 19. I've been grinding away at those low runs every day. Just about got it licked.
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Bob Kolada
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Re: Samples of my cooperation with the Bush administration
That lower one looks like a fun bass trombone bit (and not too off, going by the lower right hand corner...); when I get back in town I think I'll record it thusly and put it on youtube. Maybe contra. 
- imperialbari
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Re: Samples of my cooperation with the Bush administration
I have some understanding for Ben’s point, as my low BBb range is very mouthpiece sensitive.The Big Ben wrote:Good for you. I have a heck of a time getting down low. Can't seem to get the lip to vibrate that slow...talleyrand wrote:Cool. I'm thinking I'll post a recording of this with brass quintet, organ, and choir after December 19. I've been grinding away at those low runs every day. Just about got it licked.
I like contrasting order and chaos when writing (where the chaos really has to be played in a very orderly way to be effective, but that is another matter). So to accompany the choir singing the 4th verse in unison, I used a trick I very rarely use in hymn settings for brass quintet: trombone and tuba in octaves. Of course after luring the listeners into expecting no aural harm by letting everybody do a pp unison the first 8 bars.The lower limit was given by the non-valved trombone.
This bass run (or stampeding or whatever) would come out odd if the player alternated between the bass and contrabass octaves, so I actually made 7 versions of the tuba part:
The original one covering 2 octaves and a minor third: low E to G in the upper space.
The same written in treble clef BBb brass band notation
The two above ones for contrabass players not liking their high registers, topping at C and D in the staves respectively.
A bass clef version for bass tubists with low range problems, bottoming at low C (A). Also applicable for euph and bass trombone, and apparently also for some contrabass tubists:
The same in treble clef versions for Bb euph and Eb tuba.
You can find the full setting for brass-5-tet, organ, and SATB choir via the upper link in my signature. A brass 5-tet may perform this setting alone, but its 2nd trumpet and horn players rather would want the addition of organ or choir or even just a female vocal soloist singing the soprano line.
Klaus
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Michael Bush
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Re: Samples of my cooperation with the Bush administration
My lips go slow enough, the trick is to push the right buttons at the right moment!The Big Ben wrote:Good for you. I have a heck of a time getting down low. Can't seem to get the lip to vibrate that slow...talleyrand wrote:Cool. I'm thinking I'll post a recording of this with brass quintet, organ, and choir after December 19. I've been grinding away at those low runs every day. Just about got it licked.