USStuba04 wrote:what else do you guys consider to be american horns??
nirschl's, mw, hb,??????
they have copies of yorks...so does that make them american?
(i guess we had nothing else to talk about that weekend...

)
The Navajo tribe is well-known for their weavings (that's "rugs" to normal people). They are made in a variety of styles based on the various trading centers on the Navajo Reservation. Thus, they are called Crystal, Two Gray Hills, Ganado, and so on. Originally, they were called that because the Two Gray Hills style was started by weavers in the Two Gray Hills area. But now, all the various styles are made in all regions, and to some extent blended.
It's the same with tubas. To me, a tuba is American if it's made in America (I'll leave it to you to decide which America you want to discuss--I'm talking here about America, United States of), just as a British tuba is made in Great Britain, or an Italian tuba is made in Italy.
But there are American-
style tubas made all over, just as there are and have been British-style tubas made in many places and German-style tubas made in many places.
To me, the front-action piston tuba is a uniquely American style, despite that the original Wieprecht basstuba was nominally a front-action piston instrument. The American style also emphasizes a short, fat configuration. The front-action rotary tuba is a uniquely German style, despite that the first ones might have been made in what is now the Czech Republic. They are also tall and narrow in comparison to the American style. The top-action piston tuba is more French than British, but it's still the British style, especially when accompanied by compensating valves.
And, as with Navaho rugs, there is a lot of blending. There are fat rotary tubas with wide bell flares, front-action piston tubas with a decidedly German taper design, and so on. My Japanese F tuba has an American-style configuration with front-action pistons, but a British-style taper design on the outer branches.
Most of the classic U.S. brands have shut down. There is the Holton Harvey Phillips model (other Holtons are rebadged Yamahas), the Conn 5xJ, the similar King 2341, and the Conn and King sousaphones. For a while there was the Getzen, though perhaps "assembled in the U.S." is more accurate. But Martin, Olds, Reynolds, York, and a range of other old names are represented either in history alone or as mere labels on instruments made elsewhere. Thus, there are few American tubas, but lots of American-style tubas.
Rick "noting that stylistic differences will eventually be mixed together" Denney