
http://www.oberloh.com/silvermirafoneeconojob.htm
Daniel C. Oberloh
www.oberloh.com
Oberloh Woodwind and Brass Works
Saving the world, one horn at a time...
Starting such an operation could probably be a very good business move. BUT and that is a serious but. With the shortage of skilled technicians, there is going to be a problem getting people who can get the actual work done. The tools and parts can sit on the bench for a very long time and I can tell you without any doubt that not one horn will get repaired until a craftsperson who has the ability to make the needed repairs puts those tools to use. Where do you find such skilled persons? There is money in it. I have been repairing and rebuilding band instruments as a full time job for quite a while and still manage to pay the bills. Lesser skilled repair people? Yeah (shrug) they can be of use but good skills and an ability to think and learn are better and more useful. In my experience, when it comes to work in the shop, sales people just get in the way, cost money and are of little help getting the actual repair work done. Much of the big work I do comes from out of state via USPS, UPS or FedEx so pick up and deliver is not much of an issue. The work exists and there is a demand so it is not a lot of effort to find paying clients. I do some repair work for schools now and then but it is not in any substantial quantity. Most of the work I do is privet and military. I also do a fair amount for other shops, collectors and dealers/brokers. there is also the horns I purchase to be repaired and resold. There is a good deal of school work to be done but when so many schools are willing to accept the lowest grad of work just because it is really cheap and there are shops that are willing to deliver the most horrible poor quality work, it is silly for me to even consider trying to compete in such a market. The type of work I show on the page is still outside the ability of the majority of repair shops but it can be learned and with the addition of some tooling can be reasonably profitable. Granted, it is still labor intensive and does not pay as well as general repair and maintenance but when a shop is suffering from a lack of work, it is good to have something to keep the income flowing during there slow season.Is there enough long-term money in a business that combines the repair skills of a master repair person like Dan working with lesser skilled repair people coupled with skilled sales people who can pick up and deliver instruments for reconditioning? Is now the time to start a business like this considering the rising cost of new tubas? Can you overcome local politics between schools and their support businesses?
I'm fortunate to be only a 45-minute drive from Dan's shop. The web site only shows a small fraction of the incredible work Dan does there.pgolson wrote:Your website ranks among my highest in the wow factor. You truly embody an artisan, and I absolutely love looking at the resto's you do.