Some of the on-line auctions claim chrome. Looks sort of odd to me in the pictures, like it might be a real thick blanket of plating.SplatterTone wrote:Although not an option on the poll, the nickel plating (not silver) like what comes on these horns from India will, I think, outlast the insides of the horn.
Silver vs Lacquer? - but not what you think I'm asking!
- Donn
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- prototypedenNIS
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modern lacquer is much better than it was... the silver is being skimped on and being applied thinner.Donn wrote:I am a highly uninformed source, but I believe I read somewhere that there are lacquers these days that are significantly more durable than the stuff that's falling off our old tubas.
I have never had a King tuba (sorry to say), but my 50's King bari sax has an uglier finish than you can imagine, a strange color that defies description.
who knows what's better now.
denNIS
Salvation Army 1934 and 1954 (Boosey) euph
Salvation Army 1934 and 1954 (Boosey) euph
- Dan Schultz
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So can something as simple as a rubber bandJonathantuba wrote: One thing I have found from experience, is that bird droppings can remove silver plating -
Dan Schultz
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"The Village Tinker"
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- Dan Schultz
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Yeah.... the stuff is a product called Coricone 1700. I've used it a little but can't seem to find the time to actually use it on a horn I used almost every day. That would be the true test. At the moment, I have used it on some small pieces and on an alto sax carcass that is hanging in my shop. One of these days I'll get the little alto together and turn my wife loose with it. I think in the final analysis, the Coricone will be a very good sealer but will look a bit like polished brass mid-way into the tarnish phase... not brilliantly shiny, but not with a patina, either.Jared wrote:![]()
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Tubatinker,
I seem to recall that you were doing an experiment a few months back with a highly durable used on medical tools or something and you were trying it on brass instrumentsWas that you? did it work?
BTW... someone mentioned nickel and chrome plating. I don't have any use for either one. Chrome has nickel under it and in order for nickel to be worth a hoot, it has to have a strike coat of copper. I doubt that the Indians aren't going to the trouble and I'll be surprised if the finish on the imports lasts very long. It won't be much of a test, though... because many of the horns that are being purchased today will never be played much... because THEY DON'T PLAY
Dan Schultz
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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- SplatterTone
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Oh SOOOOOO wrong!because THEY DON'T PLAY
In fact, every time one is played an angel gets its wings.
India euphonia are the official instruments of Bedford Falls.
Good signature lines: http://tinyurl.com/a47spm
- Dan Schultz
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SplatterTone wrote:Oh SOOOOOO wrong!because THEY DON'T PLAY
In fact, every time one is played an angel gets its wings.
India euphonia are the official instruments of Bedford Falls.
Dan Schultz
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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"It's a Wonderful Euph"?TubaTinker wrote:SplatterTone wrote:Oh SOOOOOO wrong!because THEY DON'T PLAY
In fact, every time one is played an angel gets its wings.
India euphonia are the official instruments of Bedford Falls.
"Don't take life so serious, son. It ain't nohow permanent." -- Pogo (via Walt Kelly)
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One problem with bare brass instruments is, that parade-type bands demanded them being polished regularly.
Some have been polished so much, that the engraving has been lost on very old samples, which now have very thin gauge metall especially in the bell area.
If only the bare brass isn’t polished it should last for a very long time.
Klaus, who is no buffing-buff either
Some have been polished so much, that the engraving has been lost on very old samples, which now have very thin gauge metall especially in the bell area.
If only the bare brass isn’t polished it should last for a very long time.
Klaus, who is no buffing-buff either
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Here I am with my usual left-handed commentary; the problem is not the finish but the acidic sweat, if I am reading right. Except for the old lacquer that just cracks and dies.
So...you can approach it from the other direction, with added benefits. Acidic sweat indicates an acidic pH of your body; the more acidic you are, the more likely you are to get osteoporosis and break a hip. So, what to do? The more animal products you ingest, the more acidic you will be; the less animal and the more vegetable products you ingest (as a general rule) the more alkaline you will be. Green veggie foods in particular will make you more alkaline and less acidic. Foods that contain magnesium, calcium, potassium...the alkalizing minerals, will make you more alkaline. Of course if they also contain animal protein (like dairy) then that is negated to a degree.
So, to prevent acid sweat, go vegan!! I have of course experimented with this, and if I eat a lot of meat for some days in a row, I find my hands green after playing my horn. If I stay vegan for some days in a row, my hands and horn are unaffected. Interesting.
MA, who really should just go get that NMD degree
So...you can approach it from the other direction, with added benefits. Acidic sweat indicates an acidic pH of your body; the more acidic you are, the more likely you are to get osteoporosis and break a hip. So, what to do? The more animal products you ingest, the more acidic you will be; the less animal and the more vegetable products you ingest (as a general rule) the more alkaline you will be. Green veggie foods in particular will make you more alkaline and less acidic. Foods that contain magnesium, calcium, potassium...the alkalizing minerals, will make you more alkaline. Of course if they also contain animal protein (like dairy) then that is negated to a degree.
So, to prevent acid sweat, go vegan!! I have of course experimented with this, and if I eat a lot of meat for some days in a row, I find my hands green after playing my horn. If I stay vegan for some days in a row, my hands and horn are unaffected. Interesting.
MA, who really should just go get that NMD degree
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MikeMason
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MA, just as a side note, females seem to have a higher acidity than males too.In my job as a school rep for a retail music store,i find more girls with plating problems(especially with black rings under the lips and black fingertips on flute players)than i do with boys with silver trumpets/trombones.I'm sure this is something to do with hormones and chemistry and probably not ditary concerns.just an observation...
Pensacola Symphony
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
- Dan Schultz
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I spent about 30 years in the automation and special machinery business. Sensitive equipment that was used by females was usually subject to special finishes like stainless steel, black oxide, hard anodizing, hard chrome, or the like. .... NEVER raw steel or aluminum.MikeMason wrote:females seem to have a higher acidity than males too...... I'm sure this is something to do with hormones and chemistry and probably not ditary concerns.just an observation...
Last edited by Dan Schultz on Tue Dec 27, 2005 5:11 pm, edited 1 time in total.
Dan Schultz
"The Village Tinker"
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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To Rick "who has seen very little finish wear on the Yamaha, even after very heavy use" Denney:
I have seen Yamahas with the finish worn off, especially some euphoniums that definitely have seen their days in school programmes. To me they sound better once the epoxy is worn. I think their epoxy is a little "too good" and can damp the natural resonance of the horn.
BTW: a good combination I have seen for a beginning euphonist is a Yamaha 2 series with a Schilke 50. A little smaller, but with good even range and intonation, and provides a good basis for growing into something larger, both in horn and mouthpiece, later.
Just a different experience to post - Thanks.
I have seen Yamahas with the finish worn off, especially some euphoniums that definitely have seen their days in school programmes. To me they sound better once the epoxy is worn. I think their epoxy is a little "too good" and can damp the natural resonance of the horn.
BTW: a good combination I have seen for a beginning euphonist is a Yamaha 2 series with a Schilke 50. A little smaller, but with good even range and intonation, and provides a good basis for growing into something larger, both in horn and mouthpiece, later.
Just a different experience to post - Thanks.
Jupiter JTU1110
"Real" Conn 36K
"Real" Conn 36K