Miraphone 181 intonation

The bulk of the musical talk
User avatar
jonesbrass
4 valves
4 valves
Posts: 923
Joined: Wed Dec 20, 2006 11:29 am
Location: Sanford, NC

Post by jonesbrass »

I don't think the helleberg size is the problem, but I would suggest using a more bowl-shaped mouthpiece on a rotary F. I was a dyed-in-the-wool funnel-cup mouthpiece user for years, but my 188 really took off when I changed to a bowl-shaped cup mouthpiece. My old MW 45 did a lot better with a bowl-shaped mouthpiece, too.
If you're relatively new to playing F, you might just need to give yourself time to settle in to playing that pitch of instrument. You may have consciously adjusted to the horn, but it might take a little while for your body/brain/ear to get used to the tone, location of the partials, etc.
Good luck and don't give up too quick.
Willson 3050S CC, Willson 3200S F, B&S PT-10, BMB 6/4 CC, 1922 Conn 86I
Gone but not forgotten:
Cerveny 681, Musica-Steyr F, Miraphone 188, Melton 45, Conn 2J, B&M 5520S CC, Shires Bass Trombone, Cerveny CFB-653-5IMX, St. Petersburg 202N
User avatar
Mojo workin'
4 valves
4 valves
Posts: 784
Joined: Thu Nov 16, 2006 1:44 pm
Location: made of teflon, behind the bull's eye

Post by Mojo workin' »

Danke Schoen, everyone.
User avatar
iiipopes
Utility Infielder
Utility Infielder
Posts: 8580
Joined: Tue Sep 06, 2005 1:10 am

Post by iiipopes »

Also try a Wick 3L. Deep with a barrel backbore, yes, but it's made for smaller tubas, and if you want a "deeper" or "darker" tone, it's worth at least a try to get a broader perspective.
Jupiter JTU1110
"Real" Conn 36K
User avatar
Mojo workin'
4 valves
4 valves
Posts: 784
Joined: Thu Nov 16, 2006 1:44 pm
Location: made of teflon, behind the bull's eye

Post by Mojo workin' »

Having recently test driven some newer models of contrabass and bass tubas with which I hadn't spent much time in the past, some tuba manufacturers are, finally, stumbling across some bugle designs that offer reasonably trouble-free intonation combined with the clarity of sound that many desire.
Which ones? I only get to try whatever Baltimore Brass Company has or attempt to hear myself over the cacophony in the Army Conference exhibit room.
User avatar
rascaljim
pro musician
pro musician
Posts: 319
Joined: Fri Mar 19, 2004 5:40 pm
Contact:

Post by rascaljim »

I admit I only skimed the rest, but ...

I know Al Baer designed modifications that can be done to try to correct the intonation. I never did them because I find that the intonation was managable with the Dillon PS S3 mouthpiece. The sound is kinda bright with that piece. All the helleburg style mouthpieces I've used with the 181 let you blow more air, but the sound is way too contrabassie. Right now I'm messing around with a PT-65 that seems to be working pretty well.

Past the mouthpiece thing. I found my tone to be a little on the spread side with the tuba. After discussing this with Lee Stofer he recommended putting rubber tubing around the bell rim. It tightened up the sound as well as made the notes slot a lot better. Might be worth a shot.

Jim Langenberg
Principal Tuba, Dubuque Symphony Orchestra
Owner/brass repair tech, Brazen Bandworks
Sousaphone, Mucca Pazza
Post Reply