Tom Beck II wrote:I'm out here in America's Paradise, Kauai, and I don't believe anyone has taken our natural sounds; surf, wind, birds, rain, waterfalls and native Hawaiian drum, coconut shell and stone rhythms, conch shell , bamboo, nose flute & vocal chant pitches and using a brass quintet as a contemporary medium along with possible reality loops, composing a challenging composition. With care, mouthpiece tappings, fingered air, humming partials while playing fundamental low tones on horn & tuba can expand the sounds, mutes and even rhythm devises played by members while not brass playing give added colors of sound.
Remember, Vivaldi put only string instuments to work emulating the sounds of Italy's Seasons. If these thoughts give you any interest, I play tuba and am basic leader of the HOMESTEAD BRASS QUINTET here on Kauai and we'd be happy to give you exposure.
Tom Beck II
I think the ideas put forth in here could amount to some great music. I've always liked finding new uses for the tuba, and it would be great if there were more pieces out there that really stretched the limits of modern tuba playing.
ben wrote:BBb Dave. If you want to hear some amazing beatboxing - pick up Medula, Bjork's (except for a piano on one song) all vocal record. The sounds that she gathers from her fellow musicians is astouding - From the throat singing all the way through the beatboxing. She has a DVD outlining the making of the album. It is really inspiring.
I heartily second this suggestion. Honestly, what can be better than an album with Bjork, an Icelandic choir, Rahzel, Mike Patton and Dokaka?