Agreed -- my main mouthpiece is a Kellyberg. As with Groucho Marx's principles, "I have others" (for extreme dynamics and range), but more than 90% of my playing is on the Kelly. Works well for me!J.c. Sherman wrote:Seemingly always the contrarian, I like the Kelly mouthpieces. The 18 and Kellyburg cuts are excellent, and I used a Kelly 18 with a tone ring as my main mouthpiece on my Conn 52J. They don't always perform well on their own at extreme professional dynamics, but they are very comfortable and sound wonderful. At a tone intensifier ring like I did and they are even more useful, since you gain back much of the mass.
YMMV. I keep a Kelly 18 in my car for emergencies, buzzing, and trying out instruments.
The third set at an Oktoberfest?TubaRay wrote:And, exactly when would this NOT be true?schlepporello wrote:But there are better mouthpieces out there when controlled precise playing is required.
(as our announcer has been known to say, "Drink up, folks! The more you drink, the better we sound ...")


