smitwill1@gmail.com wrote:Find out what the committee was listening for
After having sat on a few committees, this is the biggest and hardest. Normally, in audition committees of a professional orchestra the Music Director has 51% of the vote. So you have to crawl inside their head and figure out what kind of sound/blend they're looking for. Even if the final is a series with the orchestra.
If you can't play the required pieces well, you wouldn't have been invited in the first place.
After that, it's how well you work with the section.
There is always something that you could have done better, or something that you haven't picked up on yet.
This is your opportunity to identify it, and work on it.
The first round of the Philadelphia Orchestra audition, nobody won (including candidates that had played well with the orchestra as subs). You never know what the committee is listening for, or what may impress them.
Playing everything well is only the first hurdle...
If you fear rejection, DON'T go into music at ANY level, no matter how much you like the applause when you do something well! An audition is like a job interview, and being qualified only gets you to the next level.


