The Hated #4 Valve.

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Benjamin
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Post by Benjamin »

It went pretty good actully. It's allways been his preference to use 3 because you never know when your going to get stuck with a 3 valve and be out of wack. That is what he said. He said since I sent asking and got all this info he will not complain about it. He also liked the way I told him, you know not interupting or embarrsing him in front on the class. Thanks for all the info guys.
Benjamin.
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ThomasDodd
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Post by ThomasDodd »

Benjamin wrote:It went pretty good actully. It's allways been his preference to use 3 because you never know when your going to get stuck with a 3 valve and be out of wack. That is what he said. He said since I sent asking and got all this info he will not complain about it. He also liked the way I told him, you know not interupting or embarrsing him in front on the class.
Good to hear.

He has a point, IF you don't own a horn. I'd suggest ocasionally playing without the 4th. Keeps you on your toes. Learn to pul the slides, and lip-it (depending on speed). It coul come in handy next time you need to play on a 3v sousaphone, for money :) Or something happens tou your horn, and you can only borrow a 3v horn from the school, since all the "good" horns are already checked out :(
kalishdude
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Ur band directors stupid

Post by kalishdude »

4th valve, when tuned correctly, is always more in tune, i dont where what your conductor is talking about. ALWAYS USE 4TH VALVE!!!!!! :D
Daniel S. Kalish

Euphonium, Trombone, Bass Bone, Conductor, Jazz Improviser, Composer
Wilco
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Re: Ur band directors stupid

Post by Wilco »

Mmmm... my B natural in the staf (on mira BBb) is better in tune with 1+2 than 2+4. I tuned the 4th valve to low C btw...
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Gorilla Tuba
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Re: The Hated #4 Valve

Post by Gorilla Tuba »

EuphoniuSinfonian wrote:Apparently your band director must have been sick when low brass instruments were covered in his brass methods class(es). Anyone who says to use finger combinations 1-3 or 1-2-3 as opposed to 4 or 2-4 should be consider a new career, ESPECIALLY if the horn you play on is compensating.
Damn... I better get a new career. I tune my 4th so that the 2&4 C# (CC tuba ) is in tune. That makes my 4th valve D really flat. I do best with playing D 1&3 with a little slide pull. Its much easier to manipulate the 1st or third slide while playing than it is to pull the 2nd or 4th on my horn.
A. Douglas Whitten
Associate Director of Bands
Assoc. Professor of Tuba & Euphonium
Pittsburg State University
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