You won't find many that qualify as "professionals" that do any of that stuff. You might find some jazz players. You might even find some that actually swing, but will the powers that be consider them to be professional enough to put on a workshop/discussion/etc.? There are a handful of tubists doing the rock thing. Will they count/get consideration? Who would you get for polka or banda? What style of polka? German, Czech, Polish, Norteno, Tejano, or just something in general...? Who would be a recognized authority on it? I'm in that line of work, and I'm recognized in the field, but no one would ask my opinion about who should fill that role. Who would really give a **** anyway? You, me, and maybe four other people that don't have orchestra on the brain? These aren't legitimate forms of music anyway, despite the living that can be made playing them, remember? I'm sure they want players with name recognition to help increase the number of attendees, and these forms of music just don't have players with the same recognition as orchestral players. Or maybe I'm just a ranting *** who knows nothing.
Bitter, party of one, your table is ready........Bitter, party of one..........
I have a proposal. The conference should start an annual tradition of having the newest euphonium and tuba player from among the the premier bands play something (individually) in a recital. It would be a good way for students to see and hear the level of ability that incoming players possess.
I'm not sure how to quote but someone before me (page 3 or 4) suggested that Kyle Turner do a masterclass on freelancing. Being a student of Kyle's, I can say that this is a great idea. It is so hard to schedule our lessons because he is so busy, so he must be doing something very right.
This is me brainstorming...maybe it'd be a good idea to have a masterclass/panel discussion between Kyle and someone other freelancer from LA, a coast to coast freelance masterclass. Maybe add some others from the middle big cities, Chicago, and any others that have a thriving freelance scene. Anyone else like this idea or am I completely nuts?
I can talk to Kyle at our next lesson on Tuesday or Friday of next week to see what he thinks. Let me (and the USABTEC people) know.
Wes Krygsman
Adjunct professor-Kean University
Freelance musician-NJ/NYC area & private lessons
Nirschl York 6/4 CC
Yamaha 821 F
Cerveny 601 Kaiser BBb
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Conn 36k Fiberglass sousaphone BBb
dwerden wrote:I have a proposal. The conference should start an annual tradition of having the newest euphonium and tuba player from among the the premier bands play something (individually) in a recital. It would be a good way for students to see and hear the level of ability that incoming players possess.
I second that. That is a great idea. I personally would like to see two incredible players who I know from college, Bryce Edwards (euphonium, recently won the US Navy Band job), and Scott Beaver (tuba, won the West Point Band gig a couple of years ago). Either or both would put on a great performance. What an experience sitting in groups with both those guys at the same time!
bttmbow wrote:Marcelo Cego
Chris Olka
Marcus Rojas
Alan Baer
Howard Johnson
Fritz Kaenzig
Walter Hilgers
Sam Pilafian
Ja'tik Clark
Ron Caswell
Red Lehr
This is a fantastic list, had to quote it after I read it, dead on.
dwerden wrote:I have a proposal. The conference should start an annual tradition of having the newest euphonium and tuba player from among the the premier bands play something (individually) in a recital. It would be a good way for students to see and hear the level of ability that incoming players possess.
We actually do something along those lines now. The tradition for many years has been for the bands in town to sacrifice their freshman players to perform on the military recitals. We almost always have them play. Giving the new guys a full dedicated recital each would be impossible given time constraints. This is why they play on the shared recital.
How about having the low brass section for National playing an excerpt clinic (ala the CSO CD). {or I guess any section for that matter, I just figured that they are in town}.
Or a class on home recording techniques? How to use garage band to make a good audition CD and what the bands in DC listen for when they listen to these CD's to decide who will audition.
Not that I can go this year or anything, but I'd like to see more tuba chamber groups (quartets are the first that come to mind) have clinics about good group playing. I don't think I see much of that.
Jukka Myllus (sp?) I know he was just there, but he can PLAY!
Petri Keskitalo (Finland)
Roland Szentpali is doing a lot of great things
Allesandro Fossi really impressed at ITEC in Denver
Jens-Bjorn Larsen
and
Sergio Carolino (sp?) This guy is simply amazing. He is so creative and versatile. Get Sergio. He (and a lot of his students) are sick.
Andy Larson-DMA
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Professor of Low Brass, Seminole State College
Paramedic Intern, Seminole State College
ED Tech, Halifax Med. Ctr.
Vol. Fire Police, Volusia County Fire Rescue
Tuba teacher, performer, composer, artist http://www.vimeo.com/larsontuba