your opinion: REAL sightreading for orchestral auditions
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eupher61
- 6 valves

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RE: the Grofe'
Several years ago, I subbed for some school concerts. Rehearsal at 8am, concerts at 930, 11, and 130 or something similar.
On the Trail and the Thunderstorm were on it. I'd never seen the part (played a bad band adaption of OTT many times, had heard the whole suite, just never played the part) and had to perform that thing on 1 rehearsal. It worked fine. On F.
And, to add fun, the conductor took it about 30 clicks faster at the last show. Get it over with. WOW~
But it worked. On F.
Several years ago, I subbed for some school concerts. Rehearsal at 8am, concerts at 930, 11, and 130 or something similar.
On the Trail and the Thunderstorm were on it. I'd never seen the part (played a bad band adaption of OTT many times, had heard the whole suite, just never played the part) and had to perform that thing on 1 rehearsal. It worked fine. On F.
And, to add fun, the conductor took it about 30 clicks faster at the last show. Get it over with. WOW~
But it worked. On F.
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Chuck Jackson
- 5 valves

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I dunno Joe, Bob1062 prolly does down 3 octaves on a 3 valve baritone.bloke wrote:I can nearly guarantee that you, nor anyone else, has played, sight-read, nor otherwise read "Thunderstorm" from Grofé's Grand Canyon Suite on an F tuba. It simply cannot be played on an F tuba at ANY speed.Thunderstorm
I drank WHAT?!!-Socrates
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Mark
I've played the Grofe, with an orhcestra, and I tend to agree with Joe. Especially, if you are tempted to do the seemingly natural thing with the quarter-note triplets just before 15 and continue them down to pedal A. (No, Bob, you can't do it with false tones on a Eb either.)bloke wrote:I can nearly guarantee that you, nor anyone else, has played, sight-read, nor otherwise read "Thunderstorm" from Grofé's Grand Canyon Suite on an F tuba. It simply cannot be played on an F tuba at ANY speed.Thunderstorm
BTW, it's Cloudburst not Thunderstorm.
- tubaman5150
- 3 valves

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Relax dude...DP wrote:um....here's a concept "the discussion is not about you"
When you hit the "quote" button, you are responding personally to someone's post.
Despite that, I happen to mostly agree with what you said, but I just wanted add my little rant.
That's all. No offense taken or intended.
No one who tells you what you want to hear at someone else's detriment is acting in your best interest.
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eupher61
- 6 valves

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- windshieldbug
- Once got the "hand" as a cue

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wow. you must have mad skilz!eupher61 wrote:Um...sorry guys, but at the time I played the Grofe', I didn't have anything but my B&S F and a couple of souzies. Believe, me, I didn't want to try it on a souzie, even on the King Monster 4vlv BBb.
You can say what you want, but that's the facts.
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Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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Chuck Jackson
- 5 valves

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Relax, Bob. You have got to admit you have set yourself up for that kind of comeback. Nothing personal.Well I never said I could, and have never even heard of the piece. But that's still sorta of an asshole thing to say.
Chuck"who has enjoyed the charismatic if somewhat over the top posts of Bob1062 since he has been on this board"Jackson
I drank WHAT?!!-Socrates
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Chuck Jackson
- 5 valves

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- windshieldbug
- Once got the "hand" as a cue

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- windshieldbug
- Once got the "hand" as a cue

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Perhaps it's us who don't care to admit we're already voting for "plants"...bloke wrote:I don't really understand the quote. It seems to imply that we've gone "down", whereas I see the analogies as much more "static"
Last edited by windshieldbug on Mon Jul 16, 2007 11:17 am, edited 1 time in total.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
- Rick Denney
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Robert N. Calkins
- bugler

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I great number of years ago, I auditioned for the St. Louis Symphony. The sight reading for that was an excerpt from a piece by Anton Webern. This was a killer rhythmically, as the 32nd note received the beat and it had a truckload of rests, double dotted notes and other such traps. The passage only contained about 10 notes, but went from ppp to fff. The rhythm did me in, especially at 40 bpm! The audition committee even let one sit in a room by yourself and look at the part before hearing you play any part of your audition. Needless to say, it weeded out the candidates very quickly. BTW, Gene Pokorny won that audition.
- tubaman5150
- 3 valves

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Though this thread itself is about to be "permanently scuttled", I will drop my two cents...bloke wrote:I'm going to assume that the chiz will allow historic discussions, but not current...Just out of curiosity, who do you think was a GOOD president?
...OK, G. Washington was pretty darn good, but his duties were not adulterated by presidents (small "p", and pronounced "s", not "z"). A fantasy COMBINATION of Adams and Jefferson WOULD have made a good President, but individually they both had their weaknesses.
Lincoln, in particular, was a shameful President - perhaps the most shameful of all time. If you read historical accounts (rather than nursery school history books) you'll discover what a horrible racist he was, the true meaning of the E.P. (merely a wartime propaganda insult to the CSA), how much of what the Constitution formerly guaranteed you was permanently scuttled, and just how easily he could have avoided a half million deaths.
Truman was the first President to lose a war (Korean - as we've lost all wars in which we've engaged ever since using the same strategy we employed in Korea - by FAILING to use everything at our disposal to win), but I admire Truman for his earlier (WWII) courage to use the atomic bomb at a time when no other decision would have resulted the immediate end of the war (victory) and the immediate cease of loss of life.
The difficult thing about assessing past presidents, is the allure to view them in a 21st century senitment. I do not believe that Lincoln was any more of a racist than any of his contemporaries, but he used racial rhetoric as political posturing to his own ends. As to whether he could have prevented a civil war, I don't think so. Both sides had been pursuing some type of conflict for years before he came to office, but neither side expected a four year slaughter. I think if we had not had that war though, as grisly as it was, I don't think we have a very strong federal government today. Whether or not that is favorable is completely in the eye of the beholder.
As for the wars we lost, every single on of them were fueled by the Monroe Doctrine and Roosevelt Corollary to combat Soviet (or some other) "influence" in the East. These type of conflicts never, and will never (IMHO), turn out in our favor and always produce the most senseless casaulties. Because of "measured" responses and lack of allied support, those particular president's hands were tied.
No one who tells you what you want to hear at someone else's detriment is acting in your best interest.
- tubaman5150
- 3 valves

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- windshieldbug
- Once got the "hand" as a cue

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- hbcrandy
- 4 valves

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For the New York Philharmonic audition in 1979, the sight-reading piece was written for the audition. I remember that it was manuscript with no title and quite 20th century.
Randy Harrison
Proprietor,
Harrison Brass
Baltimore, Maryland USA
http://www.harrisonbrass.com
Instructor of Applied Brass Performance
Maryland Conservatory of Music
Bel Air and Havre de Grace, Maryland USA
http://www.musicismagic.com
Proprietor,
Harrison Brass
Baltimore, Maryland USA
http://www.harrisonbrass.com
Instructor of Applied Brass Performance
Maryland Conservatory of Music
Bel Air and Havre de Grace, Maryland USA
http://www.musicismagic.com
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Mark
