Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
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Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
Good morning colleagues,
I wanted to ask a question in regards on how most professional Tuba players play the expose Tuba solo at the end of the Tchaikovsky Romeo & Juliet Fantasy Overture (10 measures of B natural). Do all Tuba players master the circular breathing technique? Are players breathing at specific measures (to be the least disruptive), and if yes, where? Are Tuba players be assisted by Bass Trombone for all the measures or at breath marks? Are Tuba players do sniff breathing multiple times? Other techniques player have?
Thanks for sharing,
Mike D.
I wanted to ask a question in regards on how most professional Tuba players play the expose Tuba solo at the end of the Tchaikovsky Romeo & Juliet Fantasy Overture (10 measures of B natural). Do all Tuba players master the circular breathing technique? Are players breathing at specific measures (to be the least disruptive), and if yes, where? Are Tuba players be assisted by Bass Trombone for all the measures or at breath marks? Are Tuba players do sniff breathing multiple times? Other techniques player have?
Thanks for sharing,
Mike D.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
I performed this just a couple weeks ago. What I wound up doing is sneaking breaths in just before the wind phrases ended, so just before the 4th and 8th bars.
Like with any interpretation choice, of course, YMMV.
Like with any interpretation choice, of course, YMMV.
Joe K
Player of tuba, taker of photos, breaker of things (mostly software)
Miraphone 181 F w/ GW Matanuska/Yamaha John Griffiths
Kalison Daryl Smith w/ Blokepiece (#2 32.6, Orchestra Grand Cup, Symphony American shank)
Player of tuba, taker of photos, breaker of things (mostly software)
Miraphone 181 F w/ GW Matanuska/Yamaha John Griffiths
Kalison Daryl Smith w/ Blokepiece (#2 32.6, Orchestra Grand Cup, Symphony American shank)
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
Get a look at the cello part, and mark breaths during their swells. If done carefully you can breathe several times unnoticed by anyone, but the breaths must be at specific times. I actually typed the cello part for that into Finale and marked the breaths in that. I taped that into my part. It has been in our orchestra library like that since about 1998 when I first started using Finale. The next time we play this I will update the part with better spacing (now that I am proficient with Finale) on fresh paper with new tape. It was looking quite raggedy the last time we played it.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
It is much harder than it seems at first glance. I had to slowly step on the gas pedal to make it through last time. Long tones, indeed.
Pensacola Symphony
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
I concur - once you know what's going on around you there are lots of spots to grab a breath.
Rob. Just Rob.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
Turn down requests by the 3rd trombone to help.
As others have said, you can sneak breaths (big) here and there. Hardest passage in the piece. Very exposed. I believe the tuba is the only instrument playing in two moments, in separate measures. Make sure you have enough breath for those spots.

As others have said, you can sneak breaths (big) here and there. Hardest passage in the piece. Very exposed. I believe the tuba is the only instrument playing in two moments, in separate measures. Make sure you have enough breath for those spots.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
Just look it up on IMSLP, OP. If taking the time to look this up is too much for you to bother with and you want us to do the work for you, then here is the relevant page from the score.
https://silver-dyanna-4.tiiny.site
Take breaths whenever the strings and bassoons will hide them. These will come at slightly irregular times, and in all cases, each one-breath section will still be pretty long, but it *will* be playable. Study this page with a recording. The recording with the sheet music will give you all the info you need to make this work for you. You cannot just do this, you need to practice sneaking in and out. Good luck.
Video cued up to the measure where this begins. See? All done for you.
[youtube]http://youtu.be/cn3U8AVoWdY?t=1055[/youtube]
EDIT: Well, these tags are not working. Just click the link. Again, good luck.
https://silver-dyanna-4.tiiny.site
Take breaths whenever the strings and bassoons will hide them. These will come at slightly irregular times, and in all cases, each one-breath section will still be pretty long, but it *will* be playable. Study this page with a recording. The recording with the sheet music will give you all the info you need to make this work for you. You cannot just do this, you need to practice sneaking in and out. Good luck.
Video cued up to the measure where this begins. See? All done for you.
[youtube]http://youtu.be/cn3U8AVoWdY?t=1055[/youtube]
EDIT: Well, these tags are not working. Just click the link. Again, good luck.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
thanks all for the great tips!
MD
MD
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
I played it a long time ago. If I recall correctly, there were some timpani hits that were just where I needed a quick inhale.
I do remember that the conductor actually complimented me for that note.
I do remember that the conductor actually complimented me for that note.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
When I was in college i did it in one breath. Can"t anymore.
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
I've done the same....and got the same reaction from the Conductor. He was on my case about phrasing from a previous cycle and I knew he'd be paying attention. He watched me the whole time and then stopped the orchestra to say he couldn't believe that he saw me breathe but couldn't hear any break in the sound.
Lots of good suggestions. Hiding underneath the timpani attacks has been my go-to move for years
JW
Elmhurst University - Applied Professor of Tuba/Euphonium
Elmhurst Symphony - Principal Tuba
Wintergreen Music Festival - Principal Tuba
New Chicago Brass
Ottava Quartet
Elmhurst Symphony - Principal Tuba
Wintergreen Music Festival - Principal Tuba
New Chicago Brass
Ottava Quartet
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Re: Tchaikovsky Romeo & Juliet Fantasy Overture Tuba Solo
As above. Just use the timps. The last note of the Mahler One Frere Jacque is similar.
But I think we should all listen to the youtube link and have a thread on whether we can actually hear the tuba taking a huge breath at the very beginning. I think I can!!
But I think we should all listen to the youtube link and have a thread on whether we can actually hear the tuba taking a huge breath at the very beginning. I think I can!!
