Posted: Fri Nov 04, 2005 7:03 pm
-know *every corner* of the music asked. Know what the 2nd violins are playing before your entry, what dynamic the 3rd horn has, etc. Be able to hear the 30 seconds of orchestra in your head before each excerpt's entry (assuming it's an orchestral audition...).
-play in front of people before the big day. Make it as much like the 'audition' as you can. You're practicing for your nerves, too. Ask their opinions / suggestions.
-the last several weeks before your audition: after your daily practice, record your 'audition' from top to bottom, without stopping. Listen to it later in the day (after your ears have had a chance to 'cool off'). Don't forget to make notes!
-there's something to be said for 'automatizing' performances: having things so 'hard wired' as to be infallible. If the worst happens, your automatic programming takes over and helps you through.
-sit quietly for 5 minutes each day, and picture yourself walking out on stage and playing exactly the way you'd like to sound. It's called 'positive visualization', and is a powerful thing.
Uncle "currently preparing for a concerto with his orchestra in 2 weeks" Beer
-play in front of people before the big day. Make it as much like the 'audition' as you can. You're practicing for your nerves, too. Ask their opinions / suggestions.
-the last several weeks before your audition: after your daily practice, record your 'audition' from top to bottom, without stopping. Listen to it later in the day (after your ears have had a chance to 'cool off'). Don't forget to make notes!
-there's something to be said for 'automatizing' performances: having things so 'hard wired' as to be infallible. If the worst happens, your automatic programming takes over and helps you through.
-sit quietly for 5 minutes each day, and picture yourself walking out on stage and playing exactly the way you'd like to sound. It's called 'positive visualization', and is a powerful thing.
Uncle "currently preparing for a concerto with his orchestra in 2 weeks" Beer