Posted: Sat May 15, 2004 11:24 am
Some scholars with some right may maintain, that brass instruments are not musical instruments, but only honkers of social signals.
Anyway this categorisation would fit the Schalmeien instruments even more. Basically they are orchestrated duck-calls in the huntsmans' sense having metal tongues as their tone generators. The valves were not fingered in the brass instruments' sense. They are simply routers towards the intended tongue sitting at the inner end of its resonance bell.
Their history goes back some 8 or 9 decades. The socialdemocratic workers' movement in Germany was inspired by the Wanderbewegung (trecking movement), which promoted guitars, mandolins, and recorders as their musical tools.
The Schalmeien were more powerful soundwise, and they didn't call for refinements of embouchure, intonation, tonguing, or any other skill but blowing out ones lungs and pressing the buttons as learned by rote.
They came in different versions:
8 note melody (with the variant of 16 note coubled octaves)
8 note altos
8 note baritones
5 note chord honkers providing tonic and dominant
4 note basses, sometimes in helicon shape.
Apparently these instruments were not too contaminated by nazi connotations. Anyway they had a renaissance in the GDR.
I have only heard them once, oddly enough after the wall fall. Whatever one may think of the GDR, it actually had some social qualities, which were lost by the wall fall. Extensive support of the arts being one of them.
At a rally for authors of the former GDR, some of them formed a 15-or-so-piece Schalmeien street band, which marched the streets of Dresden or another large eastern town.
The sound can only be described in terms not allowed on a decent board. Terrible is modest word in this context!
As I have a huge number of photos not yet uploaded to my galleries, I have prioritised the upload of Schalmeien down. What you will find is this:
Thumbnails of Weltklang and Martin German Schalmeieninstrumente (metal reed instruments):
http://photos.groups.yahoo.com/group/yo ... nstrumente
Klaus
Anyway this categorisation would fit the Schalmeien instruments even more. Basically they are orchestrated duck-calls in the huntsmans' sense having metal tongues as their tone generators. The valves were not fingered in the brass instruments' sense. They are simply routers towards the intended tongue sitting at the inner end of its resonance bell.
Their history goes back some 8 or 9 decades. The socialdemocratic workers' movement in Germany was inspired by the Wanderbewegung (trecking movement), which promoted guitars, mandolins, and recorders as their musical tools.
The Schalmeien were more powerful soundwise, and they didn't call for refinements of embouchure, intonation, tonguing, or any other skill but blowing out ones lungs and pressing the buttons as learned by rote.
They came in different versions:
8 note melody (with the variant of 16 note coubled octaves)
8 note altos
8 note baritones
5 note chord honkers providing tonic and dominant
4 note basses, sometimes in helicon shape.
Apparently these instruments were not too contaminated by nazi connotations. Anyway they had a renaissance in the GDR.
I have only heard them once, oddly enough after the wall fall. Whatever one may think of the GDR, it actually had some social qualities, which were lost by the wall fall. Extensive support of the arts being one of them.
At a rally for authors of the former GDR, some of them formed a 15-or-so-piece Schalmeien street band, which marched the streets of Dresden or another large eastern town.
The sound can only be described in terms not allowed on a decent board. Terrible is modest word in this context!
As I have a huge number of photos not yet uploaded to my galleries, I have prioritised the upload of Schalmeien down. What you will find is this:
Thumbnails of Weltklang and Martin German Schalmeieninstrumente (metal reed instruments):
http://photos.groups.yahoo.com/group/yo ... nstrumente
Klaus