TubeNet

I'd like to know what your thoughts are on the Conn 56J? My teacher got asked by a prospective student about the pros and conns of getting a 56J... and both of us have never tried it.

If you could throw out a few similar models out there, that'd be great! I've sorta compared it to be similar to the old Conn 3J or the CB-50/G-50. Any others?

How well do you think the 56J would do in certain ensembles: brass quintet, orchestra (berlioz, tchaik, mahler), solos and wind ensemble?

Things to consider:
- Sound
- Intonation
- Blend
- Accuracy, slotting of pitches, articutation, etc.
- and more!

I've tried researching the subject on the old tubenet... and got a bit of a headache trying to filter out all the off-topic chatter that gets thrown in there... would be nice to hear a fresh take!

I, of course, recommended that the prospective student go on a road trip, try out a bunch of different models, brands, etc to find something that he truly like... yada yada yada

THANKS!

A chopped King 1241 with 5th valve and a bell that does not match the geometry of the rest of the tuba.

I've played some great ones and I have played some that I wish that I never touched. They have had some quality issues with the valves, but if you can find a good one they are one of the better all around horns (like the getzen CB50 thingy).
IMHO
Bill

evilcartman wrote:I, personally, really enjoy my 56J. [etc, etc, etc]

Very good description. This is my experience with my 56J also -- almost an exact opinion. Very capable 4/4 tuba. Mine works well for me in quintet, brass choir (12-14 pc), church orchestra (30-40 pc, with large choir).

Also, FYI, the tuba prof at Butler University (Indianapolis) plays this horn. You may contact Melissa Williams for a "professional opinion".

http://www.butler.edu/music/mu_bio_williams.html

Regards,