Posted: Mon Jan 23, 2006 3:27 pm
The reason all the top euphonium teachers come from military bands is simple... there are practically no other professional places to play euiphonium. That does not mean that you have to be a military musician to be a professional level player. There may be other places for a euphonium player to gain performing experience, but I would suggest that they are very limited.
If you want to teach euphonium at the university level, there are 2 routes:
1. Be an adjunct - usually poor pay and very few benefits. This works well for those who make their "real" living in a symphony or other vocation. In otherwords, don't quit your day job.
2. Do something else, too - The smaller the program, the more "other" stuff you have to do. Usually, a full time, tenure track professor will be teaching around 18 converted hours per week. If you can attract and maintain a studio of 18 euphonium players, then you might do fine. I only know one place with these numbers.
Even doubling with tuba or trombone, these are still pretty high numbers.
In the real world of academia, most applied music faculty also teach other areas. For example, each semester I conduct 1 band, teach 1 academic class, and maintain my studio of 12-15 tuba and euphonium students. I have also seen quite a few that teach theory and tuba, music history and tuba, etc.
Related... what do you do for the department and school? - As a euphonium player can you play in the faculty brass quintet, woodwind quintet, etc? I strongly urge you to take your double seriously. I have a grad student who was a tubist in a DC military band. He switched to euphonium recently because... wll that doesn't matter... he switched. As he is now looking towards jobs, not just degree completion, he is finding that the tuba may still be the ticket that gets him a job.
Euphonium is a great instrument with a growing literature base. In todays market, it is still not going to get you a gig by itself, except in a military band.
I hope this post hasn't come off too pessimistic. I think the euphonium can be a great tool to pave your way through school. I know that I will give huge scholarships to a euphonium player anyday. But before you finish you last degree, you should be proficient in another area such as conducting, music education, musicology or theory.
If you want to teach euphonium at the university level, there are 2 routes:
1. Be an adjunct - usually poor pay and very few benefits. This works well for those who make their "real" living in a symphony or other vocation. In otherwords, don't quit your day job.
2. Do something else, too - The smaller the program, the more "other" stuff you have to do. Usually, a full time, tenure track professor will be teaching around 18 converted hours per week. If you can attract and maintain a studio of 18 euphonium players, then you might do fine. I only know one place with these numbers.
Even doubling with tuba or trombone, these are still pretty high numbers.
In the real world of academia, most applied music faculty also teach other areas. For example, each semester I conduct 1 band, teach 1 academic class, and maintain my studio of 12-15 tuba and euphonium students. I have also seen quite a few that teach theory and tuba, music history and tuba, etc.
Related... what do you do for the department and school? - As a euphonium player can you play in the faculty brass quintet, woodwind quintet, etc? I strongly urge you to take your double seriously. I have a grad student who was a tubist in a DC military band. He switched to euphonium recently because... wll that doesn't matter... he switched. As he is now looking towards jobs, not just degree completion, he is finding that the tuba may still be the ticket that gets him a job.
Euphonium is a great instrument with a growing literature base. In todays market, it is still not going to get you a gig by itself, except in a military band.
I hope this post hasn't come off too pessimistic. I think the euphonium can be a great tool to pave your way through school. I know that I will give huge scholarships to a euphonium player anyday. But before you finish you last degree, you should be proficient in another area such as conducting, music education, musicology or theory.