3,600 Miles for a Euphonium Solo!
Posted: Mon May 22, 2006 10:21 am
The U.K. welcomes American composer Joe Miserendino from Pennsylvania later this week as he flies into Heathrow (friday).
Joe’s visit centres around the premiere of the wind band version of his ‘Willson Concertante’, written for Willson Euphonium artist Charley Brighton, to be performed at St. Paul’s Church Covent Garden, London on Sunday (28th.) by the City of London Symphonic Winds, conductor John Andrews.
The concert is also part of Charley’s 2006 celebrations, marking 40 years of Euphonium playing.
Joe writes; “I am retired and have been seriously writing music since 2000. All my life I have been in love with music but never had a chance to pursue it. I have written for a variety of solo instruments especially Euphonium, Tuba and Cello - but also Bassoon, Oboe and Contrabass. Also various brass and wind ensembles - Orchestra, Brass Band and Symphonic Winds. I have made many friends around the globe through the Internet and email. I've exchanged ideas and music with people in New Foundland, Sweden, England, Tacoma, Scotland, Hungary, Grenada and Yugoslavia.
The Willson Concertante,
The Willson Concertante was written for and dedicated to a good friend and fine musician, to celebrate his new partnership as a performing artist with Willson Band Instruments of Switzerland. I wanted to write a piece that would show the range, versatility, power and beauty possible with the Euphonium – a still very much under-appreciated instrument. The Euphonium & Piano version was premiered in February 2005 by Charley, with Malcolm Stowell, piano, at St. Mary’s Parish Church, Slough, Berkshire.
The first movement – Con Bravura – as the name suggests shows off the robust full throated capabilities inherent in the Euphonium. One could consider the opening cadenza as a proud declaration. Throughout the movement the Euphonium keeps announcing its powerful presence.
In the second movement – Notturno Adagio – I wanted to show the rich beauty of the instruments singing voice. This type of “songâ€
Joe’s visit centres around the premiere of the wind band version of his ‘Willson Concertante’, written for Willson Euphonium artist Charley Brighton, to be performed at St. Paul’s Church Covent Garden, London on Sunday (28th.) by the City of London Symphonic Winds, conductor John Andrews.
The concert is also part of Charley’s 2006 celebrations, marking 40 years of Euphonium playing.
Joe writes; “I am retired and have been seriously writing music since 2000. All my life I have been in love with music but never had a chance to pursue it. I have written for a variety of solo instruments especially Euphonium, Tuba and Cello - but also Bassoon, Oboe and Contrabass. Also various brass and wind ensembles - Orchestra, Brass Band and Symphonic Winds. I have made many friends around the globe through the Internet and email. I've exchanged ideas and music with people in New Foundland, Sweden, England, Tacoma, Scotland, Hungary, Grenada and Yugoslavia.
The Willson Concertante,
The Willson Concertante was written for and dedicated to a good friend and fine musician, to celebrate his new partnership as a performing artist with Willson Band Instruments of Switzerland. I wanted to write a piece that would show the range, versatility, power and beauty possible with the Euphonium – a still very much under-appreciated instrument. The Euphonium & Piano version was premiered in February 2005 by Charley, with Malcolm Stowell, piano, at St. Mary’s Parish Church, Slough, Berkshire.
The first movement – Con Bravura – as the name suggests shows off the robust full throated capabilities inherent in the Euphonium. One could consider the opening cadenza as a proud declaration. Throughout the movement the Euphonium keeps announcing its powerful presence.
In the second movement – Notturno Adagio – I wanted to show the rich beauty of the instruments singing voice. This type of “songâ€