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TUBACHRIS85 wrote: -tubachris
(Who finds it funny how the technical players can like "google" tounge a million notes, yet a few cant really play well lyrically; I guess thats where Im best at....)

Join the Club

The best recording is a Live Brass Band (Original) one from the European Championships in 1992. I was lucky enough to be playing on it, and it still brings a lump to my throat when I hear it!

It's on Polyphonic QPRL 051D.

There is also a studio version with the same band, also featuring tuba soloist Thomas Wyss. This is

http://www.ukcd.net/details.asp?ref=55.

As for a wind band one, try http://www.ukcd.net/details.asp?ref=1277

Have to agree with Andy , the 1992 European Championships recording from Cardiff with the BBS Band and Howard Snell one of the best competition recordings ever.
If you are looking for a concert band recording there is a tokyo kosai wind orchestra recording which is really impressive ( the recording features british music for winds).
hope this helps.

Year of the Dragon is a great piece, as is most of Philip Sparke's music.

Steve Marcus
BBb Bass, Chicago Brass Band

The Tokyo Kosei recording of the wind band version is available here, and it's well worth it.

http://www.encoremusic.com/cd/8913372.html

Good luck to your euphonium players, I hope they have lots of time to practice...

- Jamie

CrappyEuph wrote:The Tokyo Kosei recording of the wind band version is available here, and it's well worth it.

http://www.encoremusic.com/cd/8913372.html

Good luck to your euphonium players, I hope they have lots of time to practice...

- Jamie

Jamie,

Try the Brass Band Version, everyone will be ready to kill the conductor.

I want no part of that piece again until I get an Eb tuba.

The Brass Band of Battle Creek has one that is great. You can listen to parts of it at http://bbbc.net/pages/main/listeningpost.htm

The Toronto Youth Wind Orchestra played YOtD last year at Carnegie Hall. We pulled it off the outer movements with reasonable results, but the sheer terror of the third movement is outweight by the beauty of the second movement. In my opinion though, the most satisfying part of the whole piece to play is the euphonium counter melody in the second movement.

Belltrouble wrote:By the way,the conductor was a professor in mathemathics

Keith Wilkinson?

Belltrouble wrote:Steve Hanover was operating a tenorhorn whilst playing in that band,he´s the conductor of Regent Hall corps band and member of ISB,right

That's correct.