Hey Guys,
I have been playing tuba for about 7 years now. I play both semi professionally and professionally at several theme parks in the area. However, I have recently developed a problem starting notes.
After I take a breath, it seems like the pressure keeps building behind my lips. I have tried some remedies and they have slightly helped. I was just windering if any one has had a similar problem or knows a way to fix it.
Thanks!
Having Problem Starting Notes
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- bugler
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- Dan Schultz
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Re: Having Problem Starting Notes
On occassion when I tense up.... relaxgoldenmoose wrote:I was just windering if any one has had a similar problem or knows a way to fix it.
Dan Schultz
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
- CJ Krause
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- The Impaler
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My suggestion would be to try and stop thinking about the attack as much as what your air is doing. "Turn the air around" is the Pat Sheridan quote that comes to mind. When you're breathing and playing, don't ever let there be one split second when you're not either breathing in or breathing out. Concentrate on getting a smooth change of direction, from in to out (attacks), and from out to in (releases). This 'focus shift' has really helped me out in the same area of concern, both on tuba and on euphonium. Hope this helps.
Cale Self
Assistant Professor of Music
Acting Director of Bands & Instructor of Low Brass
University of West Georgia
Carrollton, GA
Assistant Professor of Music
Acting Director of Bands & Instructor of Low Brass
University of West Georgia
Carrollton, GA
- JB
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Sounds like valsalva maneuver and not focal dystonia to me(the two are very very different things).
I struggled with valsalva maneuver probelm for a long long time. The impaler gave good advice. I went to a half dozen "name" teachers trying to get help for my problem, the last one is the one who fixed it. Don't address the problem, address the solution. We don't have the analytical sensors to effectively analyse what our body is doing when we breath.. that's what locks us up. Instead of looking for ways to beat the technique that is tripping you up, find an effective technique and replace the old one with it.
So with me, I had subconsciously attatched a lot of negative stigma to the feeling of holding the horn in my hand.. and only with the tuba. I had no valsalva problem playing the bass trombone or other brass instruments. I realised this when I went and saw another tubist perform a piece to which I'd previously dedicated months of practise and performed once or twice. In watching this person my lungs were seizing up, and I was feeling a lot of the anxiety I'd often felt with the tuba in my lap.. clearly indicative of a mental roadblock, not a physical problem. Since coming to that realisation I've had a lot less trouble, and a lot less stress.
Basically, our techniques need to be 2nd nature.. the moment you start to think about them is the moment you're liable to stuff them up. It only took me a small amount of mental conditioning to tell myself not to change my approach to breathing just because there's a tuba in my hands.
These are just my personal experiences and may or may not be of help. Good luck!
I struggled with valsalva maneuver probelm for a long long time. The impaler gave good advice. I went to a half dozen "name" teachers trying to get help for my problem, the last one is the one who fixed it. Don't address the problem, address the solution. We don't have the analytical sensors to effectively analyse what our body is doing when we breath.. that's what locks us up. Instead of looking for ways to beat the technique that is tripping you up, find an effective technique and replace the old one with it.
So with me, I had subconsciously attatched a lot of negative stigma to the feeling of holding the horn in my hand.. and only with the tuba. I had no valsalva problem playing the bass trombone or other brass instruments. I realised this when I went and saw another tubist perform a piece to which I'd previously dedicated months of practise and performed once or twice. In watching this person my lungs were seizing up, and I was feeling a lot of the anxiety I'd often felt with the tuba in my lap.. clearly indicative of a mental roadblock, not a physical problem. Since coming to that realisation I've had a lot less trouble, and a lot less stress.
Basically, our techniques need to be 2nd nature.. the moment you start to think about them is the moment you're liable to stuff them up. It only took me a small amount of mental conditioning to tell myself not to change my approach to breathing just because there's a tuba in my hands.
These are just my personal experiences and may or may not be of help. Good luck!
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Visit http://www.valsalva.org/index.htm for an article which states:
"Valsalva mechanism is also associated with blocking or "stuttering" in the playing of brass musical instruments..."
"Valsalva mechanism is also associated with blocking or "stuttering" in the playing of brass musical instruments..."