I thought I had already answered this thread, but looking through it I see that I did not. I'll give it a whirl.
As a toddler I played on my mother's Sohner & Sons upright piano that she had as a kid in NYC. I have the same piano in my studio today.
My father was a cornet soloist in high school in Wyoming and played on a Selmer Paris gold-plated custom cornet that I fooled around on every time I visited my grandparents house as a child. I never learned how to play legit on that horn, but I used to play it by ear in my grandparents house at get-togethers and holidays and enjoyed playing along with my grandparents old 78 records and with the Lawrence Welk show, which was constantly playing on their TV set.
In the second grade my family moved to Cambridge, Mass for three years so my mother could get her law degree at Harvard. During that time I played and took lessons on a rented violin. In the fourth grade I was a featured violin soloist with the local high school orchestra.
Upon moving back to Los Angeles in latter half of my 4th grade year (1984) my parents were broke and gave me a choice between violin lessons or little league baseball. I went for the baseball and haven't touched a violin since.
In the seventh grade I took beginning winds with Sheldon Pitesky at Palms Gifted Magnet Jr. High School. I chose the trombone because I thought something without valves would be easier because I wouldn't have to memorize valve combinations.
A year later my mother bought me my first trombone. A King 606 tenor, which is basically the student model of the 3B. I ended up selling that horn to a good buddy my senior year of high school, and then bought myself another one about seven years ago on ebay just for fun, so I have a 606 in my closet right now.
In the ninth grade I switched to tuba and was playing on a Reynold Eb clunker that the Jr. High owned. I switched because the tubist in the band got busted for marijuana and was expelled. I learned the tuba in one weekend and was playing in the band on Monday.
Tuba came naturally for me, so my cousin Lester Dropkin (Redlands and San Bernadino Symphonies tubist) helped my mother find my the Mirafone 185 that I played until my second year in college. It was a wonderful instrument and had tuning jiggers on both the 1st and 5th valve slides.
My second year at UCLA the L.A. Phil audition came up, and Tommy Johnson convinced me that I should get a big horn and an F tuba and audition, even though I was so young. I got the big horn (my Yorkbrunner) and bought my Rudy 6 valve F from Tommy, but chickened out on the audition. I'm happy today that I didn't audition, as I am a Sabbath observer and orchestral playing is pretty much out for me. If I had somehow beaten Norm Pearson and Alan Baer (yeah right) at that audition as a 20 year old, I would have had a different path in life. I am quite happy with the path I took.
Around 1996 I dropped acid and dropped out of school. I then bought my first guitar, a lovely Guild acoustic that I still play on today. I also got my Fender Strat and my first electronic keyboards and electric bass. I sung in a rock band and played just about everything by that time.
Many years of musical limbo went by in the late 90s. I ended up with all kinds of interesting instruments including clarinets, a bassoon, an accordian, A few homemade 'squarepants", and all kinds of electronic recording equipment and samples. Somewhere in there I began my composing career.
About three years ago I sold my Rudy F and a wonderful York sousaphone I had acquired to help purchase my Yamaha 621 F tuba, Doug Yeo bass trombone, and Xeno Bb special edition trumpet. One of the best things I ever did, as I am now quite happy with the brass instruments that I have.
If you want to see a bunch of this stuff (although not quite up-to-date) you can visit the studio page on my website...
http://www.dylanking.net/studio2.htm
What a fun thread. I'm so glad I saw it this time and took the time to reply. Goodbye.