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Anybody ever played the PT6P and the MW "Thor" back to back? Please respond with your thoughts.

I tooted the Thor (not back-to-back with the PT6) at WWBW a while back. Although I did not immediately verbalize an intermixed combination of eschatology and scatology as Scooby proposed above, , I was indeed AMAZED when tooting the Thor. My first thought was "WOW", followed immediately by a Will Smith quote from Independence Day, "I have GOT to get me one of THESE!"

Cheers,

Having tried a PT-6 and Thor, I completely agree with Scooby. The PT-6 makes a tubby BAT like sound while the Thor is like a 4/4 CC on steroids. Which is preferable probably depends on taste and application.

I've never played two of these back to back, but the Thor I played was an incredible low CC tuba, but the upper register was kind of blah, unresponsive, and had some funky pitch things to it.

Also, I've played about 5 PT-6P's, and I've only like maybe 2 of those. There were a lot of funky pitch things as well with the 3 of them I didn't like as well.

When I say funky, it was something beyond what I would call a "normal" intonation challange.

Scooby Tuba wrote:there are a couple of really simple tweaks that make the low range on a PT6P really jump out of the horn.

Could you elaborate on this? Could you post or send me a PM?

Scooby Tuba wrote:

ASTuba wrote:I've never played two of these back to back, but the Thor I played was an incredible low CC tuba, but the upper register was kind of blah, unresponsive, and had some funky pitch things to it.

Also, I've played about 5 PT-6P's, and I've only like maybe 2 of those. There were a lot of funky pitch things as well with the 3 of them I didn't like as well.

When I say funky, it was something beyond what I would call a "normal" intonation challange.

What is that supposed to mean?

I guess I'll elaborate more on that. I don't mind having to pull slides, play common alternate fingerings (2-3 for Eb in the staff, 2-3-5 for C# and F# below the staff). When I have to start playing D's in the staff 1-3, or G's near the top of the staff 4, then I am not interested....

Scooby Tuba wrote:

ASTuba wrote:

Scooby Tuba wrote:

What is that supposed to mean?

I guess I'll elaborate more on that. I don't mind having to pull slides, play common alternate fingerings (2-3 for Eb in the staff, 2-3-5 for C# and F# below the staff). When I have to start playing D's in the staff 1-3, or G's near the top of the staff 4, then I am not interested....

That's so far from my experience (and that of some very well know high profile players) that I have no appropriate (non-smartass sounding...) response! I don't have to do any of that on mine and I'm reeeeealy picky, too

Glad yours worked out better for you, but I can tell you that the 3 of us that were at the music shop that day weren't impressed by the Thor that was there.

I tell you, Ive had my Pt6 for a little over a year now, and I tell you, the low register was very very stuffy, but it takes a different kind of blow than 4/4 horns. a rediculously different blow. i wanted to throw my horn out the windo when i got it. but now, after a few years and a lot of time on it, i dont think id trade it for anything right now in my career. this thing is fantastic.

OOps BTW i have a Rotor PT6