Nessun Dorma
-
CrappyEuph
- 3 valves

- Posts: 307
- Joined: Mon Mar 29, 2004 10:45 pm
- Location: Denton, TX
- Contact:
Nessun Dorma
One of my college students is going to be playing Nessun Dorma on a recital, and I'd like her to get an arrangement/transcription in the original key, which I believe is G. Does anyone know of one? Adam Frey's is in F, and I saw one by Mortimer on Hickey's, but I have no way of knowing what key it's in.
- Jamie
- Jamie
- Rick F
- 5 valves

- Posts: 1679
- Joined: Thu Mar 18, 2004 11:47 pm
- Location: Lake Worth, FL
Jamie,
The copy I have on 'Finale' is in key of 'G' -- not sure if that's the original key though. I know it goes up to the wonderful 'B' natural we all like, LOL.
But I don't have the piano accomp -- just ths solo part.
The copy I have on 'Finale' is in key of 'G' -- not sure if that's the original key though. I know it goes up to the wonderful 'B' natural we all like, LOL.
But I don't have the piano accomp -- just ths solo part.
Miraphone 5050 - Warburton BJ/RF mpc
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
-
jsswadley
- pro musician

- Posts: 90
- Joined: Thu Apr 29, 2004 5:11 pm
Key of "Nessun dorma"
I have the orchestra score before me. At the aria there is one sharp for the C instruments. One horn, the basses and cellos, the trombones and trumpets play G and D with no third. The first entrance of the tenor on beat three in bar one are the words "Nessun dorma" on a D. The aria actually ends for the singer on an A after the high B natural. The chord there at the last note of the tenor is a D chord with all the notes in the harp. Since the actual end is a trick cadence (F sharp, A, C natural) it would be hard to say whether the aria is in any key in the way you might say a Mozart aria is in "C", for example. In any aria collection there will be a concert ending on D. Anyhoo, if it starts on D and ends on an A you have the right tonality. Why doesn't somebody compile and publish a bunch of arias for the tuba? Good luck, John
- Rick F
- 5 valves

- Posts: 1679
- Joined: Thu Mar 18, 2004 11:47 pm
- Location: Lake Worth, FL
Yep, that's what shows on my part.John wrote:The aria actually ends for the singer on an A after the high B natural.
Miraphone 5050 - Warburton BJ/RF mpc
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
- TexTuba
- 5 valves

- Posts: 1424
- Joined: Tue Feb 08, 2005 5:01 pm
Re: Nessun Dorma
I have the Adam Frey arrangement. When I performed it, I just transposed it to the original key by sight. If I remember correctly, it's just up a major second. I hope this helps!CrappyEuph wrote:One of my college students is going to be playing Nessun Dorma on a recital, and I'd like her to get an arrangement/transcription in the original key, which I believe is G. Does anyone know of one? Adam Frey's is in F, and I saw one by Mortimer on Hickey's, but I have no way of knowing what key it's in.
- Jamie
Ralph
- tubatom91
- 4 valves

- Posts: 808
- Joined: Mon Jul 24, 2006 5:32 pm
- Location: Aurora,Illinois
- Contact:
- MileMarkerZero
- 3 valves

- Posts: 431
- Joined: Fri Mar 19, 2004 9:54 am
- Location: Knoxville, Tennessee
- windshieldbug
- Once got the "hand" as a cue

- Posts: 11516
- Joined: Tue Mar 01, 2005 4:41 pm
- Location: 8vb
- TexTuba
- 5 valves

- Posts: 1424
- Joined: Tue Feb 08, 2005 5:01 pm
That question is pretty much for EVERYONE on EVERYTHING if you think about it. Our ultimate goal, at least I think so, is to imitate the voice. You are right, and I was foolishly wrong, with this piece. When I hear Jacobs's recording of the Strauss Horn Cto. on the 'Portrait of an Artist' album, it moves me. THAT is the closest I've come across of a musician sounding like a voice.knuxie wrote:Just curious.....what instrumentalist could ever hope to match the power, effort, and respect of a vocalist on this piece? (Unless, of course, the audience sees blood coming out of the horn, then maybe a little respect.)
Ken F.
Ralph


