If you are looking for a new composition, try the new Barbara York Tuba Sonata. It is available here:
http://www.cimarronmusic.com/
It was premiered at NERTEC about a month ago by Adam Crowe. Here is an excellent description from TUbeNetter Steve Hoog:
2nd movement is somewhat reminiscent of the Hindemith's 2nd movement, although it's much more interesting. A little dialog between upper and lower staff ranges, a steady rhythmic pulse interrupted with a legato 'rest up' section...fun, exciting, and it will be a crowd pleaser. The piano is also reminiscent of the Hindemith, throughout the entire piece, as it's an active and challenging part, nearly an equal to my ears (having heard , not seen the piano part)
1st movement is a technical workout. It opens with the "shaman" theme, a legato beauty. The adventure starts pretty soon, with lots of rhythmic calisthenics--you thought the rhythm of "The Ride" was tough to master, here is a bigger problem, alternating duple, triple, and dotted rhythms. Any slacking of accuracy will be tantamount to dragging tempo, and the shaman's voice will go hoarse. Not good.
3 points of the 1st movement bring up a major decision: What horn to play this piece on??? Trills, tremolos, whichever you want to call them....choose wisely, or your fingers could end up cramping. Nothing tremendously difficult in them, but unusual, let's say. John certainly had the answer, so let the shaman speak to you. My decision is easy, given my limited supply of equipment, but fortunately it's the right horn!
3rd movement.....WOW! An absolutely beautiful piece of writing. Barbara's note about the range (at the end) could be valid, but it's not out of the question for anyone that can handle the rest of the piece. The shaman is heard calling again, and the call is extended into a lyrical but intense dialog. Tuba and piano have equal parts of the scene. Wanna see hair standing up on people's necks? Play this in a dimly lit hall, with only a spotlight on the performers, no other stage or audience lighting. Theatrical, yes, but this is an experience.
IMO, this is an important addition to tuba literature. It has something for everyone, but the emphasis on making music overrides any technique issues. The rhythmic sections must flow, and be precise, but there's more than just notes there. Dig in, use "The Inner Game" if you will, let the Guide take you on the journey. By all means, use the program notes!!!!!!!
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The Euph. Sonata should be out in a couple of weeks!!!
Wishing all happy Thanksgiving,
