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Bach Art of Fugue

Posted: Tue Nov 27, 2007 7:34 pm
by jtuba
Is the Frackenpohl arrangement for BQ the only complete version?

Posted: Tue Nov 27, 2007 7:50 pm
by David Zerkel
I'm pretty sure that Ralph Sauer also did an arrangement. We had it in the library when I was in college... the arrangements were quite good.

Also, Kyle Krejci recently worked the entire set for tuba quartet. We have only read a couple, but Kyle does good work!

Hope this helps!
Best,
DZ

Posted: Tue Nov 27, 2007 10:56 pm
by pierre
I'll second the Ralph Sauer recommendation. It's much better than the Frackenpohl, but at four times the price.

It can be found here.

http://www.wimbtri.com/brass.html#Quart ... rangements

Posted: Wed Nov 28, 2007 4:30 am
by Mojo workin'
I don't know if its the Ralph Sauer arrangement, but the Pittsburgh Symphony Brass made a recording of it that is absolutely spectacular. Available on Four Winds Records, I believe.

Posted: Wed Nov 28, 2007 8:11 am
by BVD Press
According to WIM/Trigram the recording was made of the Sauer set. Both are available on my BVD Press site. I can't say I have played through either set, but if price is not an issue the Sauer is $295.00.

I have tried to work with the publisher on lowering the price, but they will not even consider lowering it. I am sure it would sell many more copies if it were set at a reasonable rate.

pittsburgh brass

Posted: Wed Nov 28, 2007 2:10 pm
by jon112780
I would have to second an earlier comment about the Pittsburgh Brass (quintet plus bass trombone), it is really something :shock:

Even though the picture on the front has Sumner with his bare brass HB6, I asked him what horn he used, only because there was a ton of edge in his low register :D . He mentioned that he used his 186 CC, the same one that he recorded his '24 Vasiliev Etudes' on. He also said he used a 1970's helleburg mouthpiece on the 186.

He mentioned the arrangements were 'in house' and weren't available...

I personally like their arrangements, because having the bass bone cover some of the mid-range tuba stuff, so in some parts the bass bone took over the tuba line, but in some of the 'impact moments' the tuba doubled it an octave down.

I really like the traditional BQ, but sometimes adding another voice really opens up some options (Bach, Gabrielli, etc)...