You have to hear this!
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Easty621
- bugler

- Posts: 128
- Joined: Sat May 07, 2005 7:57 pm
You have to hear this!
Go to http://www.tromboneexcerpts.org/ and click on Pines/Appian way and then click on Chicago Symphony with James Levine to hear the loudest ending ever from Vernon and Pokorny. WOW 
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eupher61
- 6 valves

- Posts: 2790
- Joined: Tue Oct 10, 2006 9:37 pm
Pretty amazing stuff. Great site..
A GREAT Pines closing, of a great recording. I do like the Montreal, too.
Listen to the various "Ride" recordings too. I always go for the rhythm first, THEN to other factors. My former favorite was the Vienna/Solti 1966 Decca...no longer.
Berlin/Abbado 1993 DG blows it away. AMAZINGLY accurate. Compare that to the Buapest recording...1 out of 3 16ths are inaudible.
The London recording has at least 5 different rhythms in the first trombone chorus. The second B strain isn't much better, but at least the 16ths are consistently heard.
I've heard maybe 5 recordings by Levine and the Met...can't stand any of them! (Great to hear a contrabass bone, though!)
Philly/Ormandy 1991 RCA is my second favorite.
I could spend a lot of time on that site...someone needs to do something similar for tuba. Very cool!
The Chicago/Barenboim is great in the second excerpt, when the tuba joins in low, except pitch and rhythm are MISERABLE from the string basses. The brass sounds wonderful. Durn tham fiddles!
A GREAT Pines closing, of a great recording. I do like the Montreal, too.
Listen to the various "Ride" recordings too. I always go for the rhythm first, THEN to other factors. My former favorite was the Vienna/Solti 1966 Decca...no longer.
Berlin/Abbado 1993 DG blows it away. AMAZINGLY accurate. Compare that to the Buapest recording...1 out of 3 16ths are inaudible.
The London recording has at least 5 different rhythms in the first trombone chorus. The second B strain isn't much better, but at least the 16ths are consistently heard.
I've heard maybe 5 recordings by Levine and the Met...can't stand any of them! (Great to hear a contrabass bone, though!)
Philly/Ormandy 1991 RCA is my second favorite.
I could spend a lot of time on that site...someone needs to do something similar for tuba. Very cool!
The Chicago/Barenboim is great in the second excerpt, when the tuba joins in low, except pitch and rhythm are MISERABLE from the string basses. The brass sounds wonderful. Durn tham fiddles!
- Mojo workin'
- 4 valves

- Posts: 784
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