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TE
Posted: Fri Apr 17, 2009 7:41 pm
by sailn2ba
Has anyone bought a horn from Tuba Exchange recently?
Re: TE
Posted: Fri Apr 17, 2009 8:19 pm
by GaryBB
I purchased a St, Pete BBb 202N in April of 2008.
Re: TE
Posted: Fri Apr 17, 2009 8:54 pm
by Neil Bliss
I bought a St. Pete 202N (as well) from them in December 2008. No problems with my dealings with 'em.
Re: TE
Posted: Fri Apr 17, 2009 11:58 pm
by tubashaman2
.
Re: TE
Posted: Sat Apr 18, 2009 2:16 am
by eupher61
If the OP has a problem, the OP should deal with TE. Not the TNFJ.
Re: TE
Posted: Sat Apr 18, 2009 6:57 am
by lgb&dtuba
I bought a euphonium and a tuba there in the past 2 years. My old Amati is for sale there now. Their repair guy, Mike Morse has done some good work for me recently. As someone else has said, Vince is a good guy.
Re: TE
Posted: Sat Apr 18, 2009 9:39 am
by sailn2ba
Thanks; just curious. . . and I did NOT mean to imply that there was a problem.
Re: TE
Posted: Sat Apr 18, 2009 9:49 am
by sailn2ba
However, Let me ask if anyone is in a position to compare Miraphone "pro" models with the the corresponding student models . . . like the TE-191A BBb. I don't mind discussing via private messaging.
Re: TE
Posted: Sat Apr 18, 2009 1:02 pm
by sailn2ba
The TE-191A is made by Miraphone and has the Miraphone engraving on the bell.
Re: TE
Posted: Sat Apr 18, 2009 2:24 pm
by imperialbari
As I understand it the TE Miraphone tubas are variants of the Miraphone base model where TE has determined the specs in choice of material. There is less nickel silver in the valve tubing. Maybe no garland/Kranz at the bell rim.
This makes the production cheaper and the looks are less fancy. Especially the lack of a nickel silver garland will make the bell more vulnerable.
Stability is important in school enviroments, yet the smaller amount of nickel silver makes the tubas more responsive to play, which I consider a bonus for school instruments.
The semi-stenciling scheme between Miraphone and TE is not unique at all. Several music retailers in West Germany had only their own names engraved on the bell with no mentioning of the original maker which might be B&S/Weltkland or Cerveny/Amati among others. I have seen documentation of Miraphone instruments having elaborate indications of their German or Swiss retailers added to the original engraving.
Even from Miraphone’s own catalogue it used to be possible to order the same acoustic design (main bugle bore progression) in several variants when it came to number-of-valves, metals, type-of-valve-transmission, garland and possibly more elements. I call that modular design, and it has been seen from several other makers also.
Klaus