OOOPs !!!
Posted: Thu Apr 29, 2010 9:47 am
Aggghh , Tuba mutes in a concert setting ! What joy the thought brings to me .
I find it simply wonderful that contemporary composers for band and wind ensemble will go out of their way to challenge todays players . Not only with difficult and sometimes unreasonable expectations surrounding the performance of the instrument and its amateur musician , but with the simple challenge associated with the logistics of applying equipment .
First and second trumpet , " Straight mutes !!!, third trumpet , cupped !!! " Okay , so trumpet players need an arsenal of different mutes in their pockets- no big deal !!
Hey tubas , " that 8 bar passage calls for mute !! " 8 bars ? Which required, 1- the acquisition of a mute , purchase used it was still a hundred bucks ! The transporation back and forth to rehearsal and the one performance all while juggling a 30 lb. gig bag , through doorways, up staircases in and out of car trunks, across parking lots, in snow , rain etcc..etc..yadda yadda !!!
Upon arrival at the performance venue , it is immediately apparent that , while the concert hall itself is quite large, the stage area is half the size of your rehearsal space. so , you end up sitting sideways , the mute is almost with in reach , and if the stage lights could be raised or lowered, you might not risk going blind during the performance, and with a little bit of luck, your $19 collapsible music stand wont do what it was designed for during the show ( collapse that is ) . So off you go .."wow", you think , as the ensemble begins , " we sound pretty good in here !" Okay, get ready , grab the mute , dont lose count thru the 7/8 , 3/2 , 4/4 , 6/8 passage while you reach for the mute...then it happens , with one dutiful eye on the conductor , as you begin to raise this delicate piece of equipment toward your bell , you strike your partners music stand hard enough to knock it to 70 degrees- PANIC !!! drop the mute, grab the stand- anything , but dont knock over your partners stand...wow !!! that was close , stand rescued !!! Sigh , boom !!!! As my stand goes completely over !!! Thank you Martin Ellerby....I missed the muted section , I missed the rest of the movement, I actually sat out the rest of the piece while I recovered my nerves .
End of the first set- on to intermission . Gathered my music, reset my stand and put myself back together...I also put the mute far off stage....
I find it simply wonderful that contemporary composers for band and wind ensemble will go out of their way to challenge todays players . Not only with difficult and sometimes unreasonable expectations surrounding the performance of the instrument and its amateur musician , but with the simple challenge associated with the logistics of applying equipment .
First and second trumpet , " Straight mutes !!!, third trumpet , cupped !!! " Okay , so trumpet players need an arsenal of different mutes in their pockets- no big deal !!
Hey tubas , " that 8 bar passage calls for mute !! " 8 bars ? Which required, 1- the acquisition of a mute , purchase used it was still a hundred bucks ! The transporation back and forth to rehearsal and the one performance all while juggling a 30 lb. gig bag , through doorways, up staircases in and out of car trunks, across parking lots, in snow , rain etcc..etc..yadda yadda !!!
Upon arrival at the performance venue , it is immediately apparent that , while the concert hall itself is quite large, the stage area is half the size of your rehearsal space. so , you end up sitting sideways , the mute is almost with in reach , and if the stage lights could be raised or lowered, you might not risk going blind during the performance, and with a little bit of luck, your $19 collapsible music stand wont do what it was designed for during the show ( collapse that is ) . So off you go .."wow", you think , as the ensemble begins , " we sound pretty good in here !" Okay, get ready , grab the mute , dont lose count thru the 7/8 , 3/2 , 4/4 , 6/8 passage while you reach for the mute...then it happens , with one dutiful eye on the conductor , as you begin to raise this delicate piece of equipment toward your bell , you strike your partners music stand hard enough to knock it to 70 degrees- PANIC !!! drop the mute, grab the stand- anything , but dont knock over your partners stand...wow !!! that was close , stand rescued !!! Sigh , boom !!!! As my stand goes completely over !!! Thank you Martin Ellerby....I missed the muted section , I missed the rest of the movement, I actually sat out the rest of the piece while I recovered my nerves .
End of the first set- on to intermission . Gathered my music, reset my stand and put myself back together...I also put the mute far off stage....

