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Re: whoa boy! what a way to learn the rep.

Posted: Fri Aug 27, 2010 7:34 pm
by Ace
That is some challenging rep you have ahead of you. You'll have fun.

Best, Ace

Re: whoa boy! what a way to learn the rep.

Posted: Fri Aug 27, 2010 10:24 pm
by Chuck Jackson
ben wrote:Cohn 2
As in Brian Cohn? If so, I envy you. While I haven't heard this particular work, his music is wonderful.

Chuck"Bucket List"Jackson

Re: whoa boy! what a way to learn the rep.

Posted: Sat Aug 28, 2010 12:58 am
by UDELBR
ben wrote: Hanson 2 (don't know if there is a tuba part yet, but given its modern...)
Hanson 2 has a part; not difficult, but it's a beautiful romantic American work that almost never gets played.

Re: Fountains: Of course it's worth the effort to drag that bad boy into the woodshed, but in performance, the organist plays along with you using his feet, and most likely not much of what you play will be heard over him. He's got ConEd on his side. :D

Re: whoa boy! what a way to learn the rep.

Posted: Sat Aug 28, 2010 8:34 am
by Kevin Hendrick
UncleBeer wrote:
ben wrote: Hanson 2 (don't know if there is a tuba part yet, but given its modern...)
Hanson 2 has a part; not difficult, but it's a beautiful romantic American work that almost never gets played.

Re: Fountains: Of course it's worth the effort to drag that bad boy into the woodshed, but in performance, the organist plays along with you using his feet, and most likely not much of what you play will be heard over him. He's got ConEd on his side. :D
Sometimes your best strategy is to "let the Wookiee win" ... :wink:

Re: whoa boy! what a way to learn the rep.

Posted: Sat Aug 28, 2010 10:27 am
by awaters
great stuff ...you'll like the Ives... you lucky devil!

Re: whoa boy! what a way to learn the rep.

Posted: Sat Aug 28, 2010 6:36 pm
by Todd S. Malicoate
UncleBeer wrote:[Re: Fountains: Of course it's worth the effort to drag that bad boy into the woodshed, but in performance, the organist plays along with you using his feet, and most likely not much of what you play will be heard over him. He's got ConEd on his side. :D
This is spot on. Fountains is MUCH less traumatic in the orchestra than in an audition.