Range question
- Captain Sousie
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- Dylan King
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- Captain Sousie
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- Captain Sousie
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- tubaman5150
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I believe what this person is asking for is the practical range of a tuba as a composer would look at it.
For a professional, I would say pedal Bb to a high F above the staff. This is certainly not the possible range, which is only limited by the player's skill.
For a professional, I would say pedal Bb to a high F above the staff. This is certainly not the possible range, which is only limited by the player's skill.
No one who tells you what you want to hear at someone else's detriment is acting in your best interest.
- Captain Sousie
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He asked for the range of a specific type of tuba, not the players or the music.
Sousie
If it the common range required of a professional tuba player that is needed, I agree with pedal Bb-F above the staff.hey yall,
i need to know the absolute maximum professional range of a 4/4 b flat tuba...
thanks
Sousie
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- Anterux
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- tubaman5150
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I was referring to a BBb tuba, as was most of the other posters.Captain Sousie wrote:He asked for the range of a specific type of tuba, not the players or the music.
If it the common range required of a professional tuba player that is needed, I agree with pedal Bb-F above the staff.hey yall,
i need to know the absolute maximum professional range of a 4/4 b flat tuba...
thanks
Sousie
The only way I know how to determine the range of a particular player, is to ask him/her and hope they are honest.
If you were referring to the word professional, its a generic term used by many orchestration and pedagogy textbooks to define the largest practical range of any specific key of tuba. There will usually be more than one generic level of range, to give teachers and composers a general idea of what to expect. They usually range from novice to professional ranges for each key of tuba.
It is true that there are no absolutes when dealing with possibilities. What we're dealing with is a band director who is looking for a practical range that the kids can wrap their brains around. I'm sure the director will make it clear that more is possible.
I think we, as tuba players, are too used to dealing with the old criticisms of how limited some folks accuse of the tuba of being. Just read any of the silly Bydlo debates.
No one who tells you what you want to hear at someone else's detriment is acting in your best interest.
- Matt G
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Re: Range question
Time for that joke...
I'd say 15-20 yards with a good arm.SOTStuba wrote:hey yall,
i need to know the absolute maximum professional range of a 4/4 b flat tuba...
thanks
Dillon/Walters CC
Meinl Weston 2165
Meinl Weston 2165
- Dean E
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I think it's great that you're talking with and teaching youngsters. Who knows. You may change someone's life forever.SOTStuba wrote:i know that but i have to tell a bunch of middle schoolers in a master class tomorrow and i need to give them examples of a full professional range
I'd also tell them about the fourth valve, and probably the false/privileged/frog tones, something that my elementary and HS band instructors never mentioned to the tuba players. The low range is very dependent on false tones and the number of valves.
Dean E
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
- Bandmaster
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Re: Range question
I look at it like this... for a student a good range would be 2½ to 3 octaves... I am not a pro player but I have a 4 octave range... I have see some postings here where players have claimed a 5 octave range... so tell them them if a player starts on his lowest pedal note they can play up a scale 3 times, or 4 times, or 5 times, or which ever amount you feel the can understand.SOTStuba wrote:hey yall,
i need to know the absolute maximum professional range of a 4/4 b flat tuba...
thanks
Dave Schaafsma

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon
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I primarily play a BBb horn, and I would say that the closest to an absolute maximum is probably six or seven seven octaves. I'm not a professional but I have a good five octaves, more if notes which are not musically useful are counted. I heard Dr. William Winkle say that he knew one player who had seven octaves.
I always had a really tough time with range throughout college and even to this year. I worked and worked at what my lesson instructor told me to do, and my range only seemed to get worse. I had trouble playing reliably over the Bass clef F. I did it, but it was never really quite right. I didn't really figure it out until I started really listening to recordings of great tubists which forced me to look at what my former private lesson teacher was telling me to do and relalized that it didn't make sense or produce a desirable sound.
I forgot all about what he had told me and remembered a lesson I had from Dr. Winkle back in Jr. High School when he talked about directing the airstream and my range improved overnight. Bass clef F is no problem, and now, neither is the F above middle C. Now, I can play up to the F above that, although it sure wouldn't be useful in making musical sounds.
If you're telling them absolutes that they might someday be trying to attain, I'd tell them five to six octaves.
-Tabor
I always had a really tough time with range throughout college and even to this year. I worked and worked at what my lesson instructor told me to do, and my range only seemed to get worse. I had trouble playing reliably over the Bass clef F. I did it, but it was never really quite right. I didn't really figure it out until I started really listening to recordings of great tubists which forced me to look at what my former private lesson teacher was telling me to do and relalized that it didn't make sense or produce a desirable sound.
I forgot all about what he had told me and remembered a lesson I had from Dr. Winkle back in Jr. High School when he talked about directing the airstream and my range improved overnight. Bass clef F is no problem, and now, neither is the F above middle C. Now, I can play up to the F above that, although it sure wouldn't be useful in making musical sounds.
If you're telling them absolutes that they might someday be trying to attain, I'd tell them five to six octaves.
-Tabor