Mendelssohn's Symphony No. 5
Posted: Tue Feb 15, 2005 12:05 pm
My copy of Daniels says that there is a tuba (ophicleide?) part for Mendelssohn's Symphony No. 5. But, the Cherry CD only has trombone parts. Is there a tuba part?
I must disagree with you. While it is sometimes performance practice for serpent and ophicleide parts to be performed on tuba, it is not always appropriate. Berlioz specifically re-scored his ophicleide parts for tuba, but that doesn't mean other composers wanted that type of sound. In the piece in question, the serpent is used as a member of the woodwind section and was not a regular member of the orchestra. If it was used as a member of the brass section, then I would agree with you.vmi5198 wrote:To all you uninformed 1st year students out there - if it says Ophicleide, Serpent, etc. it means TUBA. Even if you DID have one of these instruments, in more cases than not the conductor in a modern orchestra would prefer the modern counterpart instead of the original.
I have even been told to perform Contrabassoon parts instead of the contrabassoon itself! Example: Dvorak Serenade.
Thanks for the orchestration lesson. People really try to sound intelligent by always saying, "well that is not always the case. tssk tssk...Contrabassoons are regular members of the orchestra.
In any case, I would consult the conductor first before I assume the serpent/ophicleide is meant for me. Only a "uninformed 1st year student" would make the mistake of assuming such.
vmi5198 wrote: f it says Ophicleide, Serpent, etc. it means TUBA. . . .
You are welcome. People really try to sound intelligent by always making strong, unilateral statements and assuming those that disagree are "uninformed". tssk tssk...Thanks for the orchestration lesson. People really try to sound intelligent by always saying, "well that is not always the case. tssk tssk...
Ok. I will agree that it is common practice, but it is mostly a few Romantic Era pieces that call for those instruments. And even then, the tuba can be an akward fit. The conductor makes that call based upon what he knows of the piece and the score in front of him. It would not be based upon "some commemoration of Mendelssohn's death... OR his birth... OR his..."OK... to rephrase my previous statement... I realize that this is not ***always*** the case, but it has been a common practice to use tuba. Lets get real here. This subject could continue forever if we were sitting in a lecture hall - I am just saying what is common practice for a local orchestra... NOT some commemoration of Mendelssohn's death... OR his birth... OR his...
versusLet people think for themselves.
What you call "nitpicking", most would call performance practice. I'm not saying one should go out and find a serpent to play. Your reasoning on that is very valid. I'm saying the decision to play those parts should be well thought out, with regards to the composers original intentions, and approved by the conductor.To all you uninformed 1st year students out there - if it says Ophicleide, Serpent, etc. it means TUBA.