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Posted: Wed Mar 09, 2005 2:08 pm
by JayW
Well:

Persichetti - Serenade No. 12
Hartley - Suite for unaccompanied tuba
Anderson - Lyri-Tech I
Spillman - Four Greek Preludes

also consider some Bach....either cello suites, or the Bach for Tuba books....some great material there


there is a start...good luck

Posted: Thu Mar 10, 2005 12:13 am
by Allen
You could also try some of the Baroque period unaccompanied flute sonatas by Bach, Telemann and others.

Two octaves down, they fit the range of an F tuba well, but some are not difficult for lower tubas. If you read treble clef, you can just play them from the original flute music. If you do your own copy to bass clef, you could transpose a bit more than two octaves.

Posted: Thu Mar 10, 2005 12:17 am
by adam0408
Frackenpohl, Tubatunes.

This is a four? movement piece that features a bunch of different styles: Rag, Blues, Latin, and Waltz (I believe) its a lot of fun and a definite crowd pleaser if you do it right. I think you can probably still get it/find it on JW pepper.

Posted: Thu Mar 10, 2005 12:21 am
by JayW
I'll second Allen with the baroque flute stuff.....there is SOOOOO much of it out there in print and readily accessible, and as he says...if you read treble cleff, then you are good to go with some great literature. I have a book of Handel Sonatas and Bach Sonatas that I bought from a flute playing friend...and I have been having a lot of fun reading through some of that stuff.... Other stuff just hurts the lips (range) ...

Posted: Thu Mar 10, 2005 12:25 am
by CJ Krause
***

Posted: Wed Mar 23, 2005 5:56 pm
by Bill Troiano
Canzonet, by Claude Baker

Posted: Wed Mar 23, 2005 7:20 pm
by dopey
I have tubatunes, it is a 4 movement piece....

Very cool piece, has some percussion effects to be done by the soloist..

Jacob"who hasn't performed it, yet" morgan

Posted: Wed Mar 23, 2005 9:50 pm
by Leland
Add a short one --

Intrada in C, by Otto Ketting

Interesting, kinda sad & dramatic, generally no set tonic, but it still feels tonal. Played it in college both on euph on a weekly recital (one of the first unaccompanied brass solos at that school in a long time) and later on G contrabass bugle at my senior recital. I got favorable comments each time.

I think it's written for trumpet, but it sounds fine on anything else, too.

The best thing about programming an unaccompanied piece is that you can use one for almost any instrument.

Posted: Wed Mar 23, 2005 10:39 pm
by Tubainsauga
what about Fnugg?

Posted: Thu Mar 24, 2005 1:45 am
by bigboom
I found this page a few weeks ago and maybe this is the kind of thing you are looking for.

http://www.arches.uga.edu/~dzerkel/reso ... abass.html

Ben

Posted: Thu Mar 24, 2005 8:07 pm
by Leland
Jared wrote:
G contrabass bugle at my senior recital
whaaa.....

i've never heard of that in a college setting. only DCI I&E
It was my recital, and I could play whatever I wanted to play.

People said that they liked how it sounded, too (thank goodness!).

Posted: Fri Mar 25, 2005 10:06 am
by Charlie Goodman
Hey, on a somewhat related note, how hard is the Penderecki Cappriccio? I've been a fan of his work for a while and I didn't even realize he was cool enough to have written a tuba solo.

Posted: Fri Mar 25, 2005 10:17 am
by MaryAnn
I have a one-page intermediate level unaccompanied piece I wrote for horn, that has been performed on a horn recital at the U of AZ. Would anybody be interested in having it transcribed for tuba? It is not particularly modern, more "standard" tonalities, not technically very difficult.

MA

Posted: Fri Mar 25, 2005 10:23 am
by JayW
hey, if you are willing to write for tuba, why not. I'd be more than happy to give it a try

Posted: Fri Mar 25, 2005 10:42 am
by MaryAnn
I have a lot to do this weekend (setting up a room for an emergency two-month cat-sitting favor) but if I get around to it I'll put that in a good key for tuba and post about it. Anybody who wanted it would have to give me their email. It is copyrighted, BTW, but not published.

MA