Re: releasing stressed braces and the advantageous outcomes
Posted: Fri Aug 05, 2016 8:33 am
Let's see an A/B pic of your old F and new F....
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Once I played in a pickup band for a July 4 background-music-for-the-fireworks performance. One of the other tuba players brought a 20J and out-blasted the other two of us. Afterward, he was provoked with me because my bell was in his ear and he thought *I* was trying to drown out *his* sound. He just couldn't hear himself below and behind the business end of the unfamiliar tuba he borrowed for the night. That made me cautious of recording bells. They're best left to better players than me (because of the need to compensate, as you are doing.)bloke wrote: somewhat related: Lately, I've "gotten into" recording bell tubas. I love them, but they actually (not in some vibrational, but in a more practical way) fail to offer needed SONIC feedback to the player. I'm LEARNING how to compensate for this. I've NOT mastered compensating for this (again: at least not in my own judgement) as far as attack (often: less than I'm perceiving) and loudness (often: more than I'm perceiving) are concerned.