Big Mouth Brass J-764LQ 1 YEAR REVIEW
Posted: Thu Oct 20, 2016 5:16 am
Well it has been about a year since I purchased my tuba and I believe a review is on order. I'll keep it simple with the pros and cons of the instrument.
PROS
- Intonation is surprisingly great for a horn of this size.
- The tonal presence of this horn allows me to play with less overall effort, so it saves my lungs and chops.
- The upper and lower register speak very easily and the lower register resonates with subwoofer-like presence.
- Horn sounds and responds best with the included mouthpiece IMO, although other MPs offer different response and feel.
- The price of this horn is reasonable considering the next BBb 6/4 offering in new condition is double in price. Price to quality ratio is unbeatable on this horn.
CONS
- Obvious weight and size makes this horn ergonomically unfriendly at first, but it becomes easier over time.
- Lead pipe and valve section could be lower, but using a Sousaphone bit makes it easier to play in a comfortable position.
- On this horn in particular, the 3rd valve top cap was somewhat stripped coming to me new. It does screw on albeit with a bit more effort than the others.
- Although the intonation is overall great there are a few quirks. Much like on many tubas, the 5th partial is a bit flat. The 3rd partial D rides a bit sharp and needs to be played with the 3rd valve alone. The 3rd partial C tends to be sharp and pulling for it will make the low 2nd partial F ride flat, although lipping it up is possible.
CONCLUSION
I love this horn and I wouldn't trade it for anything else save a Miraphone 98. I feel like I haven't missed the 5th valve at all honestly. I even tried playing the old Melton 2155R again recently, but it just doesn't have the oomph that the BMB seems to have. Would I recommend this horn to a pro or amatuer player? Yes and yes again. However I'd be iffy about recommending it for school use because of its size, weight, and lack of quick access to replacement parts. If you do want one or multiple of these for your school, make sure you order them on the condition that each horn comes with an extra set of valves.
Lighter valve oil works extremely well on this horn, I'm guessing because of tighter tolerances. I changed out the stock valve springs for Yamaha Euphonium valve springs for lighter action and they work really well. I personally think this horn is perfect for wind ensemble work and even large orchestral work, but if you plan on playing it in a smaller group I'd recommend an F tuba mouthpiece. If you have a chance to try one, I'd highly recommend that you do.
PROS
- Intonation is surprisingly great for a horn of this size.
- The tonal presence of this horn allows me to play with less overall effort, so it saves my lungs and chops.
- The upper and lower register speak very easily and the lower register resonates with subwoofer-like presence.
- Horn sounds and responds best with the included mouthpiece IMO, although other MPs offer different response and feel.
- The price of this horn is reasonable considering the next BBb 6/4 offering in new condition is double in price. Price to quality ratio is unbeatable on this horn.
CONS
- Obvious weight and size makes this horn ergonomically unfriendly at first, but it becomes easier over time.
- Lead pipe and valve section could be lower, but using a Sousaphone bit makes it easier to play in a comfortable position.
- On this horn in particular, the 3rd valve top cap was somewhat stripped coming to me new. It does screw on albeit with a bit more effort than the others.
- Although the intonation is overall great there are a few quirks. Much like on many tubas, the 5th partial is a bit flat. The 3rd partial D rides a bit sharp and needs to be played with the 3rd valve alone. The 3rd partial C tends to be sharp and pulling for it will make the low 2nd partial F ride flat, although lipping it up is possible.
CONCLUSION
I love this horn and I wouldn't trade it for anything else save a Miraphone 98. I feel like I haven't missed the 5th valve at all honestly. I even tried playing the old Melton 2155R again recently, but it just doesn't have the oomph that the BMB seems to have. Would I recommend this horn to a pro or amatuer player? Yes and yes again. However I'd be iffy about recommending it for school use because of its size, weight, and lack of quick access to replacement parts. If you do want one or multiple of these for your school, make sure you order them on the condition that each horn comes with an extra set of valves.
Lighter valve oil works extremely well on this horn, I'm guessing because of tighter tolerances. I changed out the stock valve springs for Yamaha Euphonium valve springs for lighter action and they work really well. I personally think this horn is perfect for wind ensemble work and even large orchestral work, but if you plan on playing it in a smaller group I'd recommend an F tuba mouthpiece. If you have a chance to try one, I'd highly recommend that you do.
