Metropolitan Opera Broadcasts
Posted: Sun Oct 21, 2018 2:15 am
Today my wife and I attended the movie theater simulcast of the Metropolitan Opera's Samson and Delilah, by Saint-Saens. Like most of these, it was a thoroughly enjoyable experience, with a great production, great singers and really good capture of the sound of the orchestra. One only sees the orchestra during the overtures and preludes, but at the beginning of this opera I noticed to my surprise that there were two small tubas (and players) in the pit. One of these could be heard very clearly warming up before the show. It turns out that there is an extended soli for the two players in the first act, presumably originally for ophicleides. Who knew? Except for the Bachannale and the love duet (on Samson's part) this music was new to me. When next the tuba was seen on camera the extra player had disappeared and the small horn had been replaced by a Hirsbrunner.
There are several places in the opera that call for some quite aggressive brass playing, and nothing about this performance disappointed me. The Bachannale in particular allowed the trombones to cut loose in a highly satisfying way.
Unlike some productions, the lead singers were attractive, and the costumes were elaborate and impressive. There is also a lot of good choral work. I can't wait until Walkure, despite the somewhat ridiculous stage machinery the Met has invested in. I recommend seeing these productions, though.
mbeastep
Calgary
There are several places in the opera that call for some quite aggressive brass playing, and nothing about this performance disappointed me. The Bachannale in particular allowed the trombones to cut loose in a highly satisfying way.
Unlike some productions, the lead singers were attractive, and the costumes were elaborate and impressive. There is also a lot of good choral work. I can't wait until Walkure, despite the somewhat ridiculous stage machinery the Met has invested in. I recommend seeing these productions, though.
mbeastep
Calgary
