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Since you mentioned Stax, something I'm known for knowing a lot about, I just wanted to chime in on that.

Firstly, here's an iconic image of Booker with his sousaphone.



I'm not sure which recordings he played sousa on, since my knowledge focuses more on Duck Dunn.

Secondly, I fully recommend playing some of Duck's basslines on tuba. There's a full education for bassists in the role of the bass in a pop setting, but the lines are easily accessible as a tuba player and can be a great education if you want to work in "non-legit" settings.

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There was an incredibly rich musical scene in Memphis throughout the entire 20th century, and the 60s really showed the world what Memphis could do. It's a very interesting and cool subject.

This is a really cool read, Bloke. Where's the rest of it?

Oh! Yeah, I saw that line and thought that was your signature. I subconsciously ignored it because I've read your signature before.

You know, I was at Stax last year doing a book release party on my book on Duck. I should have thought to drop you a line.

I'm not incredibly well-versed in the Nashville Number System, but I have a fake book dedicated to the NNS, and a good introductory chapter on the notation. I had to learn Chicken Fried for a cover band gig last week, and accidentally found the tune in the book. I followed along the recording and learned a ton just by following the lead sheet.

I've only seen the NNS once in Florida, and that was working with a Nashville-based country duo.

I'm good friends with Duck's son. He'll probably be interested in that thesis, as well.

You're right, I doubt he did. Maybe in the early years before he was put on salary, but I was just chiming in on the Stax stuff, because it was brought up.