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False 5/4 to 6/4
Posted: Fri Jun 28, 2019 3:36 pm
by doddyhop
What is it like to go from a Miraphone 191 to a CC York?
Has anyone had experience going from a Small 5/4 to a BAT? Tell me about it.
Re: False 5/4 to 6/4
Posted: Fri Jun 28, 2019 4:00 pm
by The Brute Squad
I added a BAT (BMB J-865) to my collection a couple months ago, having only played on a 5/4 F (Miraphone 181) for about a decade.
One thing is for sure: after only playing my BAT for a couple months, the 181 felt like a toy when I picked it up again.
Re: False 5/4 to 6/4
Posted: Fri Jun 28, 2019 7:23 pm
by bort
Changing to a 6/4 means a different kind of airflow. Get used to that, and the rest is pretty much just playing a tuba... Do THIS to sound like THAT
Re: False 5/4 to 6/4
Posted: Fri Jun 28, 2019 11:50 pm
by doddyhop
bloke wrote:I assume you mean a 6/4 York copy...
The 191 offers much less resistance, with such a large bore.
If I switch to a York copy from a 191 what would it be like and what qualities will change and how will they change? Tell me more in words of stuff when 191 —> York Copy.
Is 191 a good horn? I don’t like it tbh.
Re: False 5/4 to 6/4
Posted: Sat Jun 29, 2019 1:31 pm
by MN_TimTuba
doddyhop wrote:bloke wrote:I assume you mean a 6/4 York copy...
The 191 offers much less resistance, with such a large bore.
If I switch to a York copy from a 191 what would it be like and what qualities will change and how will they change? Tell me more in words of stuff when 191 —> York Copy.
Is 191 a good horn? I don’t like it tbh.
If you're around NW Minnesota this summer you can stop by and play my BAT for an afternoon. Most here will say the 191 is a good instrument, but If you don't like it you can always change.