Something you don't see every day!

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scottw
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Something you don't see every day!

Post by scottw »

Bearin' up!
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windshieldbug
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Post by windshieldbug »

... and there's a reason!
UDELBR
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Post by UDELBR »

I've got one almost identical to this, and use it relatively frequently in my orchestra gig. Tuning's OK (aided by a whole bunch of extra valves!), and it's a timbre the rest of the brass section enjoy hearing (now and then). Great for Berlioz, Mendelssohn, etc.

Aside from superficial tarnish, this horn looks in pretty good shape. Not a bad buy IMHO.
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Post by UDELBR »

Jonathantuba wrote:UncleBeer, having never heard one of these tubas (like I expect most on this forum) I am curious how they sound. Would you describe its sound as tuba or euphonium like?
Well, it's essentially a euphonium in C with a bunch of extra valves, but I use a Roger Bobo tenor tuba 'piece on it (tuba cup, euphonium shank), so it's got a bit more weight than was originally intended (original piece was like an extremely small tenor bone 'piece).

My trombone section is intrepid enough to mess around with different instruments as well. Typically they'd use Courtois when I use the Couesnon. Works great that way!
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Chuck(G)
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Post by Chuck(G) »

How is the sound different from a modern compensating euphonium or tenor tuba?
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Post by UDELBR »

Chuck(G) wrote:How is the sound different from a modern compensating euphonium or tenor tuba?
First, I've never heard it played by anyone else, so couldn't objectively comment on it's inherent qualities. Second, I'm not a euphoniumist, and freely admit to approaching the instrument with a more tuba-like concept than a euphoniumist would. Third, while I enjoy learning these odd proto-tuba axes as a tip o' the hat to historical accuracy, I still have to keep up with a modern brass section, so don't mind using the larger mouthpiece and cranking considerably more wattage than this horn was probably used to.

Didn't answer your question, did I? :wink:
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windshieldbug
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Post by windshieldbug »

In point of fact, I thought it already WAS cut to D, with a C horn added on... :shock:
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Chuck(G)
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Post by Chuck(G) »

Given its size and valve arrangement, I'd expect that it would be held pretty much the same as a 3+1 configured euphonium; with the weight supported by the right thumb.
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Post by UDELBR »

tradman wrote:Pardon what may be some really dumb questions: But how do you hold it?
Despite the impression made by the picture, it's actually large enough to sit on your lap semi-comfortably. I've rigged up a strap though.
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windshieldbug
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Post by windshieldbug »

bloke wrote:Cut it to D. :x
Very old&unusual Tuba / Baritone Tenorhorn in D!

Sounds like someone beat you to it!
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Chuck(G)
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Post by Chuck(G) »

windshieldbug wrote:
bloke wrote:Cut it to D. :x
Very old&unusual Tuba / Baritone Tenorhorn in D!

Sounds like someone beat you to it!
Anyone else think it's just a very flat Eb alto?
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Post by BopEuph »

Sounds like someone beat you to it![/quote]

Anyone else think it's just a very flat Eb alto?[/quote]

I was just thinking that while looking at it.

Nick

PS: After too many people have been trying to convince me to join TubeNet, I finally did. Nice little place. 8)
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Kevin Hendrick
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Post by Kevin Hendrick »

BopEuph wrote:... After too many people have been trying to convince me to join TubeNet, I finally did. Nice little place. 8)
Glad you're here! :)
"Don't take life so serious, son. It ain't nohow permanent." -- Pogo (via Walt Kelly)
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